Following a formative encounter with the British pop movie Slade in Flame in 1975, Mark Kermode decided that musical superstardom was totally attainable. And so, armed with a homemade electric guitar and very little talent, he embarked on an alternative career - a chaotic journey which would take him from the halls and youth clubs of North London to the stages of Glastonbury, the London Palladium and The Royal Albert Hall.
Hilarious, self-deprecating and blissfully nostalgic, this is a riotous account of a bedroom dreamer's attempts to conquer the world armed with nothing more than a chancer's enthusiasm and a simple philosophy: how hard can it be?
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Wonderful - such a terrific read. HOW DOES IT FEEL? hit me right between the eyes. It brilliantly captures the passion, commitment, searing self-knowledge and dizzy happiness that comes with loving music. An enchanting book (STEPHEN FRY)
Mark Kermode's warmly salubrious memoir reveals, unexpectedly, a teenager who found skiffle as addictive - and sometimes as dangerous - as crack (CAITLIN MORAN)
[A] witty, self-deprecating account . . . at the heart of this entertaining memoir is a little boy in his back garden in Finchley, banging out a rhythm on saucepans with a couple of wooden spoons (Daily Mail)
Mark Kermode's wonderful and wry book is a compelling combination of heartfelt enthusiasm, merciless self-analysis and a pleasingly full Rolodex of terrible band names. A true fan, he has the rare gift of making you want to discover things from the margins while never looking down on the mainstream. His writing feels like one of those letters you always wish to receive, one whose sole purpose seems to be to increase your zest for life (RICHARD AYOADE)
Mark Kermode deftly and winningly manages to have one foot in knotty film criticism and one in popular entertainment . . . If you enjoyed [Danny] Baker's various volumes of autobiography, Kermode's romp through his own 'back story' will appeal too, since he has much of his mentor's style: breezily anecdotal, big on dialogue and set-pieces (New Statesman)
Kermode's insistent perfecting of musical failure is madly funny. I loved this book and cringed at every awful stage fail, but his passion shines through. His unrequited desire to be a rock star in a time when every idiot had a band is bum-clenchingly funny and forensically recalled. How life isn't always the movie in your mind (GARY KEMP)
Entertaining . . . wry . . . rendered with self-deprecating humour. Overwhelmingly, what comes through every anecdote is the author's genuine enthusiasm for music (Spectator)
A delight. If Nick Hornby's HIGH FIDELITY and the Kinks' greatest hits had a baby, and that baby could play skiffle, it would be this book (HADLEY FREEMAN)
An entertaining read by anyone's standards, but if you've ever been in a band, if you understand the idea of throwing yourself body and soul into making music with the absolute surety that what you're doing amounts to genius, even - and especially - when it definitely, definitely doesn't, then it's a book you're going to adore (Drowned in Sound)
Oh boy! A rocking whirlwind of a tale. People get into bands originally for the sheer love of the life and the music. Few manage to retain that dizzying adolescent crush like Mark Kermode (DANNY BAKER)
The hilarious memoir of adored film critic Mark Kermode's riotous attempts to become a popstar - 'Wonderful...terrific...hit me right between the eyes' STEPHEN FRY
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