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On the Margins of Modernism: Xu Xu, Wumingshi and Popular Chinese Literature in the 1940s (Edinburgh East Asian Studies) - Softcover

Rosenmeier, Christopher

 
9781474444477: On the Margins of Modernism: Xu Xu, Wumingshi and Popular Chinese Literature in the 1940s (Edinburgh East Asian Studies)
Softcover
ISBN 10: 1474444474 ISBN 13: 9781474444477
Publisher: Edinburgh University Press, 2019

Synopsis

Xu Xu and Wumingshi were among the most widely read authors in China during and after the Second Sino-Japanese War (1937-1945), but although they were an integral part of the Chinese literary scene their bestselling fiction has been given scant attention in histories of Chinese writing. This groundbreaking book, the first study of Xu Xu and Wumingshi in English or any other western language, re-establishes their importance within the popular Chinese literature of the 1940s. With in-depth analyses of their innovative short stories and novels, Christopher Rosenmeier demonstrates how these important writers incorporated and adapted narrative techniques from Shanghai modernist writers like Shi Zhecun and Mu Shiying, contesting the view that modernism had little lasting impact in China and firmly positioning these two figures within the literature of their times.

"synopsis" may belong to another edition of this title.

About the Author

Christopher Rosenmeier is a Lecturer in Chinese at the University of Edinburgh

From the Back Cover

'In this highly original and impeccably researched study, Christopher Rosenmeier redraws the boundaries of modernism in Chinese fiction, through a comparative stylistic analysis of a set of works that were previously considered to be at the opposite ends of the spectrum of "serious" and "popular" literature. His contribution to the study of the wartime authors Xu Xu and Wumingshi is especially invaluable, as these hugely important writers have received only scant attention from scholars so far. On the Margins of Modernism truly is a milestone and will remain a standard reference for students of Chinese modernism for many years to come.' Michel Hocx, University of Notre Dame Xu Xu and Wumingshi were among the most widely read authors in China during and after the Second Sino-Japanese War (1937-1945), but, although they were an integral part of the Chinese literary scene, their bestselling fiction has been given scant attention in histories of Chinese writing. This groundbreaking book, the first extensive study of Xu Xu and Wumingshi in English or any other Western language, re-establishes their importance within the popular Chinese literature of the 1940s. With in-depth analyses of their innovative short stories and novels, Christopher Rosenmeier demonstrates how these important writers incorporated and adapted narrative techniques from Shanghai modernist writers like Shi Zhecun and Mu Shiying, contesting the view that modernism had little lasting impact in China and firmly positioning these two figures within the literature of their times. Christopher Rosenmeier is a lecturer with the Asian Studies department at the University of Edinburgh. Cover image: Cover image from Wumingshi, North Pole Landscape Painting (Beiji fengqing hua), 1944. Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-0-7486-9636-9 Barcode

From the Inside Flap

'In this highly original and impeccably researched study, Christopher Rosenmeier redraws the boundaries of modernism in Chinese fiction, through a comparative stylistic analysis of a set of works that were previously considered to be at the opposite ends of the spectrum of "serious" and "popular" literature. His contribution to the study of the wartime authors Xu Xu and Wumingshi is especially invaluable, as these hugely important writers have received only scant attention from scholars so far.　On the Margins of Modernism truly is a milestone and will remain a standard reference for students of Chinese modernism for many years to come.' Michel Hocx, University of Notre Dame Xu Xu and Wumingshi were among the most widely read authors in China during and after the Second Sino-Japanese War (1937-1945), but, although they were an integral part of the Chinese literary scene, their bestselling fiction has been given scant attention in histories of Chinese writing. This groundbreaking book, the first extensive study of Xu Xu and Wumingshi in English or any other Western language, re-establishes their importance within the popular Chinese literature of the 1940s. With in-depth analyses of their innovative short stories and novels, Christopher Rosenmeier demonstrates how these important writers incorporated and adapted narrative techniques from Shanghai modernist writers like Shi Zhecun and Mu Shiying, contesting the view that modernism had little lasting impact in China and firmly positioning these two figures within the literature of their times. Christopher Rosenmeier is a lecturer with the Asian Studies department at the University of Edinburgh. Cover image: Cover image from Wumingshi, North Pole Landscape Painting (Beiji fengqing hua), 1944. Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-0-7486-9636-9 Barcode

"About this title" may belong to another edition of this title.

Publisher
Edinburgh University Press
Publication date
2019
Language
English
ISBN 10 
1474444474
ISBN 13 
9781474444477
Binding
Paperback
Number of pages
152