Whereas dialectics separates two entities and traverses from one to the other (finally negating negation), contamination allows for the simultaneous interdependence of what has previously been conceived as separate or opposed. The book enquires into the problem of various oppositions between pure entities such as nature and society, body and mind, science and the arts, subjectivity and objectivity, action and contemplation, the sacred and the profane. It examines how works of literature and cinema have contaminated constructions of the pure and the immune with their purported opposite. As an advanced critical introduction to the figure of contamination, the book makes explicit what so far has remained unarticulated-what has only been implied-within postmodern and poststructuralist, and deconstructive theory. Combining theory with literary criticism, the book sheds light on how overlooked aspects of Henry James's, H. Melville's and H. G. Wells's novels question notions of natural order as well as an opposition between the subjective and the objective. It offers fresh readings of classic films and literary texts, including Vertigo and Moby Dick, with the aim to ground theoretical insights in close analysis.
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Michael Mack is Reader (Associate Professor and tenured Research Fellow) in English Studies and Medical Humanities at Durham University.
*APPROVED* This is the first study to introduce the figure of contamination as an alternative to dialectics This book enquires into the problem of various oppositions between pure entities such as nature and society, body and mind, science and the arts, subjectivity and objectivity. It examines how works of literature and cinema have contaminated constructions of the pure and the immune with their purported opposite. As an advanced critical introduction to the figure of contamination, the book makes explicit what so far has remained unarticulated - what has only been implied - within postmodern, poststructuralist and deconstructive theory. Combining theory with literary criticism, the book sheds light on how overlooked aspects of the novels of Henry James, Herman Melville and H. G. Wells question notions of natural order as well as an opposition between the subjective and the objective. It offers fresh readings of classic films and literary texts, including Vertigo and Moby Dick, with the aim to ground theoretical insights in close analysis. Key Features - Critically engages with some aspects of contemporary theory that keep propounding a Cartesian notion of the mind's control over the body - Analyses how key thinkers such as Spinoza, Benjamin, Pasolini and Freud attempt to re-evaluate what Agamben calls 'bare life' - Offers original readings of Pasolini's notion of scandalo in terms of contamination - Alerts us to the ways in which some aspects of contemporary posthumanism may merely reproduce the dialects of inclusion and exclusion which is still premised on traditional notions of purity and immunity Michael Mack is Reader in English Studies at Durham University. His recent publications include How Literature Changes the Way We Think (2012). Cover image: Contamination, Elisabeth Mack-Usselmann, photographed by Richard Stopford ISBN 978-1-4744-1136-3 Barcode
*APPROVED*This is the first study to introduce the figure of contamination as an alternative to dialecticsThis book enquires into the problem of various oppositions between pure entities such as natureand society, body and mind, science and the arts, subjectivity and objectivity. It examines howworks of literature and cinema have contaminated constructions of the pure and the immunewith their purported opposite. As an advanced critical introduction to the figure ofcontamination, the book makes explicit what so far has remained unarticulated - what has onlybeen implied - within postmodern, poststructuralist and deconstructive theory.Combining theory with literary criticism, the book sheds light on how overlooked aspects ofthe novels of Henry James, Herman Melville and H. G. Wells question notions of natural orderas well as an opposition between the subjective and the objective. It offers fresh readings of classicfilms and literary texts, including Vertigo and Moby Dick, with the aim to ground theoreticalinsights in close analysis.Key Features Critically engages with some aspects of contemporary theory that keep propounding aCartesian notion of the mind s control over the body Analyses how key thinkers such as Spinoza, Benjamin, Pasolini and Freud attempt tore-evaluate what Agamben calls bare life Offers original readings of Pasolini s notion of scandalo in terms of contamination Alerts us to the ways in which some aspects of contemporary posthumanism may merelyreproduce the dialects of inclusion and exclusion which is still premised on traditionalnotions of purity and immunityMichael Mack is Reader in English Studies at Durham University. His recent publicationsinclude How Literature Changes the Way We Think (2012).Cover image: Contamination, Elisabeth Mack-Usselmann, photographed by Richard StopfordISBN 978-1-4744-1136-3Barcode
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Paperback. Condition: new. Paperback. Introducesthe figure of contamination as alternative to dialecticsWhereas dialectics separates two entities and traverses from one to the other (finally negating negation), contamination allows for the simultaneous interdependence of what has previously been conceived as separate or opposed. The book enquires into the problem of various oppositions between pure entities such as nature and society, body and mind, science and the arts, subjectivity and objectivity, action and contemplation, the sacred and the profane. It examines how works of literature and cinema have contaminated constructions of the pure and the immune with their purported opposite. As an advanced critical introduction to the figure of contamination, the book makes explicit what so far has remained unarticulated-what has only been implied-within postmodern and poststructuralist, and deconstructive theory.Combining theory with literary criticism, the book sheds light on how overlooked aspects of Henry James's , H. Melville's and H. G. Wells's novels question notions of natural order as well as an opposition between the subjective and the objective. It offers fresh readings of classic films and literary texts, including Vertigo and Moby Dick, with the aim to ground theoretical insights in close analysis. Key featuresCritically engages with some aspects of contemporary theory that keep propounding a Cartesian notion of the mind's control over the bodyAnalyses how key thinkers such as Spinoza, Benjamin, Pasolini and Freud attempt to re-evaluate what Agamben calls 'bare life'Offers original readings of Pasolini's notion of scandalo in terms of contaminationAlerts us to the ways in which some aspects of contemporary posthumanism may merely reproduce the dialects of inclusion and exclusion which is still premised on traditional notions of purity and immunity Combining theory with literary criticism, the book sheds light on how overlooked aspects of Henry James's, H. Melville's and H. G. Wells's novels question notions of natural order as well as an opposition between the subjective and the objective. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781474425599
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Paperback. Condition: New. Introduces the figure of contamination as alternative to dialectics Whereas dialectics separates two entities and traverses from one to the other (finally negating negation), contamination allows for the simultaneous interdependence of what has previously been conceived as separate or opposed. The book enquires into the problem of various oppositions between pure entities such as nature and society, body and mind, science and the arts, subjectivity and objectivity, action and contemplation, the sacred and the profane. It examines how works of literature and cinema have contaminated constructions of the pure and the immune with their purported opposite. As an advanced critical introduction to the figure of contamination, the book makes explicit what so far has remained unarticulated-what has only been implied-within postmodern and poststructuralist, and deconstructive theory.Combining theory with literary criticism, the book sheds light on how overlooked aspects of Henry James's , H. Melville's and H. G. Wells's novels question notions of natural order as well as an opposition between the subjective and the objective. It offers fresh readings of classic films and literary texts, including Vertigo and Moby Dick, with the aim to ground theoretical insights in close analysis. Key featuresCritically engages with some aspects of contemporary theory that keep propounding a Cartesian notion of the mind's control over the bodyAnalyses how key thinkers such as Spinoza, Benjamin, Pasolini and Freud attempt to re-evaluate what Agamben calls 'bare life'Offers original readings of Pasolini's notion of scandalo in terms of contaminationAlerts us to the ways in which some aspects of contemporary posthumanism may merely reproduce the dialects of inclusion and exclusion which is still premised on traditional notions of purity and immunity. Seller Inventory # LU-9781474425599
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Hardback. Condition: New. Introducesthe figure of contamination as alternative to dialecticsWhereas dialectics separates two entities and traverses from one to the other (finally negating negation), contamination allows for the simultaneous interdependence of what has previously been conceived as separate or opposed. The book enquires into the problem of various oppositions between pure entities such as nature and society, body and mind, science and the arts, subjectivity and objectivity, action and contemplation, the sacred and the profane. It examines how works of literature and cinema have contaminated constructions of the pure and the immune with their purported opposite. As an advanced critical introduction to the figure of contamination, the book makes explicit what so far has remained unarticulated-what has only been implied-within postmodern and poststructuralist, and deconstructive theory.Combining theory with literary criticism, the book sheds light on how overlooked aspects of Henry James's , H. Melville's and H. G. Wells's novels question notions of natural order as well as an opposition between the subjective and the objective. It offers fresh readings of classic films and literary texts, including Vertigo and Moby Dick, with the aim to ground theoretical insights in close analysis. Key featuresCritically engages with some aspects of contemporary theory that keep propounding a Cartesian notion of the mind's control over the bodyAnalyses how key thinkers such as Spinoza, Benjamin, Pasolini and Freud attempt to re-evaluate what Agamben calls 'bare life'Offers original readings of Pasolini's notion of scandalo in terms of contaminationAlerts us to the ways in which some aspects of contemporary posthumanism may merely reproduce the dialects of inclusion and exclusion which is still premised on traditional notions of purity and immunity. Seller Inventory # LU-9781474425599
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