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Book Description Condition: New. Buy with confidence! Book is in new, never-used condition 1.23. Seller Inventory # bk1474406696xvz189zvxnew
Book Description HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # FV-9781474406697
Book Description hardback. Condition: New. Language: ENG. Seller Inventory # 9781474406697
Book Description Condition: new. Seller Inventory # e25c0d07574dea2eb4a6fc499d730ba3
Book Description HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # FV-9781474406697
Book Description Hardcover. Condition: new. This item is printed on demand. Seller Inventory # 9781474406697
Book Description Hardback. Condition: New. New copy - Usually dispatched within 4 working days. The 11 essays collected here take the recent explosion of interest in field recording as the point of departure for an investigation of the sounded field in music and its relationship to literature and writing. Seller Inventory # B9781474406697
Book Description Condition: New. Seller Inventory # 385738613
Book Description Condition: New. Seller Inventory # 24520260-n
Book Description Condition: New. These 11 essays focus on the relationship between literature and field recording (i.e., any recording made outside the studio) and examine the point at which the textual field and soundscape meet. With contributions from composers, writers, critics and sound artists the book combines essays with writing that spans the creative/ critical divide. Num Pages: 256 pages. BIC Classification: DC; DSC. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156. . . 2018. Hardcover. . . . . Seller Inventory # V9781474406697