Craft Communities addresses the social groups 'in real life' and online which have developed around craft production and consumption, exploring the social and cultural impact of contemporary practices of making. Addressing a wide range of crafting practice, from yarnbombs to Shetlands shawls, in a variety of regional and national contexts, the contributors consider how social media has emerged as a key driver of the 'Third Wave' of craft. From Etsy to Instagram, Twitter to Pinterest, these online communities of the handmade are changing the way people buy and sell, make and meet.
"synopsis" may belong to another edition of this title.
Nicola Thomas is Associate Professor in Cultural Historical Geography at the University of Exeter, UK. Susan Luckman is Professor in Cultural Studies at the University of South Australia, Australia.
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Hardcover. Condition: new. Hardcover. Craft Communities addresses the social groups, old and new, which have developed around craft production and consumption, exploring the social and cultural impact of contemporary practices of making. Addressing a wide range of crafting practice, from yarnbombs to Shetlands shawls, brassware to paper crafting, in a variety of regional and national contexts, the contributors consider how craft practices operate collectively in the home, communities, businesses, workshops, schools, social enterprises, and online. It further identifies how social media has emerged as a key driver of the 'Third Wave' of craft. From Etsy to Instagram, Twitter to Pinterest, online communities of the handmade are changing the way people buy and sell, make and meet. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781474259583
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Hardback. Condition: New. Craft Communities addresses the social groups, old and new, which have developed around craft production and consumption, exploring the social and cultural impact of contemporary practices of making. Addressing a wide range of crafting practice, from yarnbombs to Shetlands shawls, brassware to paper crafting, in a variety of regional and national contexts, the contributors consider how craft practices operate collectively in the home, communities, businesses, workshops, schools, social enterprises, and online. It further identifies how social media has emerged as a key driver of the 'Third Wave' of craft. From Etsy to Instagram, Twitter to Pinterest, online communities of the handmade are changing the way people buy and sell, make and meet. Seller Inventory # LU-9781474259583
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