Introducing Geralt the Witcher - revered and hated - who holds the line against the monsters plaguing humanity in the bestselling series that inspired the Witcher video games and a major Netflix show.
Geralt of Rivia is a Witcher, a man whose magic powers and lifelong training have made him a brilliant fighter and a merciless assassin.
Yet he is no ordinary killer: he hunts the vile fiends that ravage the land and attack the innocent.
But not everything monstrous-looking is evil; not everything fair is good . . . and in every fairy tale there is a grain of truth.
Andrzej Sapkowski, winner of the World Fantasy Lifetime Achievement award, started an international phenomenon with his Witcher series. The Last Wish is the perfect introduction to this one-of-a-kind fantasy world.
Translated by Danusia Stok
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Sapkowski was born in 1948 in Poland. He studied economy and business, but the success of his fantasy cycle about the sorcerer Geralt de Rivia turned him into a bestselling writer and he is now one of Poland's most famous and successful authors, selling more in his own country than Stephen King or Michael Crichton.
Geralt is a witcher, a man whose magic powers, enhanced by long training and a mysterious elixir, have made him a brilliant fighter and a merciless assassin. Yet he is no ordinary murderer: his targets are the multifarious monsters and vile fiends that ravage the land and attack the innocent. He roams the country seeking assignments, but gradually comes to realise that while some of his quarry are unremittingly vile, vicious grotesques, others are the victims of sin, evil or simple naivety.
One reviewer said: 'This book is a sheer delight. It is beautifully written, full of vitality and endlessly inventive: its format, with half a dozen episodes and intervening rest periods for both the hero and the reader, allows for a huge range of characters, scenarios and action. It's thought-provoking without being in the least dogmatic, witty without descending to farce and packed with sword fights without being derivative. The dialogue sparkles; characters morph almost imperceptibly from semi-cliche to completely original; nothing is as it first seems. Sapkowski succeeds in seamlessly welding familiar ideas, unique settings and delicious twists of originality: his Beauty wants to rip the throat out of a sensitive Beast; his Snow White seeks vengeance on all and sundry, his elves are embittered and vindictive. It's easily one of the best things I've read in ages.'
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