Rose, Ella, Marta and Carla. In another life we might all have been friends together. But this was Birchwood.
For fans of The Diary of Anne Frank and The Boy in the Striped Pyjamas.
As fourteen-year-old Ella begins her first day at work she steps into a world of silks, seams, scissors, pins, hems and trimmings. She is a dressmaker, but this is no ordinary sewing workshop. Hers are no ordinary clients.
Ella has joined the seamstresses of Birkenau-Auschwitz, as readers may recognise it. Every dress she makes could mean the difference between life and death. And this place is all about survival.
Ella seeks refuge from this reality, and from haunting memories, in her work and in the world of fashion and fabrics. She is faced with painful decisions about how far she is prepared to go to survive. Is her love of clothes and creativity nothing more than collaboration with her captors, or is it a means of staying alive? Will she fight for herself alone, or will she trust the importance of an ever-deepening friendship with Rose?
One thing weaves through the colours of couture gowns and camp mud - a red ribbon, given to Ella as a symbol of hope.
"synopsis" may belong to another edition of this title.
Lucy Adlington is a writer, actress and costume historian. Her novels for teenagers, including The Diary of Pelly-D and Burning Mountain have been nominated and shortlisted for the CILIP Carnegie Medal, the Manchester Book Prize, the Leeds Book Prize and the Rotherham Book Award. She also writes non-fiction for adults about the history of clothes, including Great War Fashion and Stitches in Time: The Story of the Clothes We Wear. Follow Lucy at www.historywardrobe.com or on Twitter: @historywardrobe
As fourteen-year-old Ella begins her first day at work she steps into a world of silks, seams, scissors, pins, hems and trimmings. She is a dressmaker, but this is no ordinary sewing workshop. Hers are no ordinary clients. Ella has joined the seamstresses of Birkenau-Auschwitz, as readers may recognise it. Every dress she makes could mean the difference between life and death. And this place is all about survival.Ella seeks refuge from this reality, and from haunting memories, in her work and in the world of fashion and fabrics. She is faced with painful decisions about how far she is prepared to go to survive. Is her love of clothes and creativity nothing more than collaboration with her captors, or is it a means of staying alive? Will she fight for herself alone, or will she trust the importance of an ever-deepening friendship with Rose? One thing weaves through the colours of couture gowns and camp mud - a red ribbon, given to Ella as a symbol of hope.
As fourteen-year-old Ella begins her first day at work she steps into a world of silks, seams, scissors, pins, hems and trimmings. She is a dressmaker, but this is no ordinary sewing workshop. Hers are no ordinary clients. Ella has joined the seamstresses of Birkenau-Auschwitz, as readers may recognise it. Every dress she makes could mean the difference between life and death. And this place is all about survival.Ella seeks refuge from this reality, and from haunting memories, in her work and in the world of fashion and fabrics. She is faced with painful decisions about how far she is prepared to go to survive. Is her love of clothes and creativity nothing more than collaboration with her captors, or is it a means of staying alive? Will she fight for herself alone, or will she trust the importance of an ever-deepening friendship with Rose? One thing weaves through the colours of couture gowns and camp mud - a red ribbon, given to Ella as a symbol of hope.
"About this title" may belong to another edition of this title.
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