This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1922. Not illustrated. Excerpt: ... pictures of the old barbaric Russia had been given in the "Russkaia Pravda" (code) of Yaroslaff--the Russia of Ivan the Terrible, after the lifting of the Mongolian yoke (12381462); in Monk Sylvester's "Domostroi" (Household Instruction), before the Mongols; and in Vladimir Monomakh's "Pouchenie" (Instruction), a quaint picture of the daily life of an ancient Slavonic- prince. But these bald records of barbarism were not attractive. It needed the pen of Karamsin to cast a halo about the old Slav warriors. He admired Ivan the Terrible.' After the fashion of Scott he put a romantic gloss over the real coarseness. He stirred the imagination and the patriotism of his countrymen. Kollar sounded the slogan of Panslavism. Pushkin became the laureate of Nicholas and Russia's greatest poet; Gogol mirrored in his Cossack tales the life of Little Russia; and Ivan Turgenieff revealed the misery and despair of the serf, and caught the rising mutterings of Nihilism. Ivan Kriloff, the Russian Lafontaine, supplied his countrymen with distinctively national fables abounding in vigorous pictures of Russian life. Pushkin was succeeded by Mikhail Yurevitch Lermontoff, known as the poet of the Caucasus, and by Nicholas Nekrasoff. Lermontoff's first noteworthy ode was an appeal to Russia to avenge the killing of Pushkin in a duel, lest she receive no more poets. His lyrics are wild and varied and beautiful as the scenery of the Caucasus and Georgia. Nekrasoff's realistic poems present the melancholy feature of Russian life. It would not be right to forget Taras Shevchenko, the national poet of Little Russia, whose grave near Kanioff on the Dnieper has been marked with a cairn and cross and has become a patriotic shrine for all the Ukraine. Shevchenko, born a serf, but brought and set...
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