Michael Denington pays close attention. In straight forward language, each of these poems is a moment closely observed. As in the title poem, the author "seeks home" with a compassionate and generous heart. --Darnell ArnoultAuthor, What Travels with Us, and the novel, Sufficient Grace With an invitation to a ¿walk in the park¿ the author takes the reader on a journey in which he shares episodes of his life. The book provides lovely glimpses such as that of a woman kneeling in her flower garden while at work on her masterpiece. After enjoying many pauses . . . at a variety of places, we are brought to a stop following the assassination of President John F. Kennedy. ¿Empty Boots¿ vividly recalls the shock and grief of that hideous crime. On the whole, this book evokes enthusiastic response. Winifred Hamrick FarrarPoet Laureate of Mississippi. Whether Michael Denington is in a familiar setting drinking ¿the cool, sweet home flavored water¿ from a gourd, or backpacking high on a mountain where he sits ¿in awe of near touchable stars and an apple slice of moon,¿ he is an acute observer, his memorable imagery hooking the reader. Denington¿s voice is straight forward, from his narrative poem about riding a stick horse as a child, through his very adult description of Memphis marinating ¿in a cold, damp bowl of discomfort.¿ . . . Most of the poems are autobiographical with sketches of youth and home, travels abroad, war experiences, his wandering ¿through life¿s barriers, ¿to finally, now that he is older, ¿to drift southward . . . seeking home, to join my forebears in the fertile sediment of our familial delta.¿ Clovita RiceFormer editor of Voices International andformer director of the Arkansas Writers¿ Conference Cover photograph, White River at Calico Rock, Arkansas by Terry Thompson, TTERRY@att.net
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Promise..........................................xiiiILike a River.....................................3Left-Handed Perspective..........................4Stitches.........................................5The Bucket.......................................6Fragmented.......................................8A Life Not Chosen................................9The Hazel Eyes...................................10Handoff..........................................11The Dawning......................................12Muse.............................................14Without Fanfare..................................15Aboard the Amadeus II............................16Mantra...........................................17Lonesome Moon....................................18Past Midnight....................................19Autopsy of a Poem................................20Donor............................................21Deadline.........................................22Limits...........................................24Masterpiece......................................25After-Effect.....................................26IIBountiful River..................................29Saigon Le........................................30Pushers..........................................31A Mother's Lament................................32The Question.....................................33Small Fry........................................34Empty Boots......................................35Curator..........................................36Valediction......................................38Lifeknot.........................................39Depression.......................................40Transparent Image................................41Winter...........................................42Man in a Red Shirt...............................43Wisteria.........................................44Lines............................................45Vestiges.........................................47Sweetest Hour....................................48Crescent Moon....................................49The Forecast.....................................50Zeal.............................................52Colors...........................................53Fishing..........................................54IIISerpent River....................................63Redemption.......................................64Little White Lies................................65Omnipresents.....................................66Night Vision.....................................67Backpacking......................................68Spirit...........................................69Raw Materials....................................70Homespun.........................................71The Deep.........................................72Rainbow..........................................73Revelation.......................................75IVHuman River......................................79The Warrior......................................80Lesson of the Cold War...........................82Politicians, Wars, Then More.....................839/13.............................................84Games Boys Play..................................85Puff.............................................87Fences...........................................88Business of War..................................89Unwelcome Veterans...............................90Vietnam..........................................91Benediction......................................95
Muse wearing faded overalls and gray shirt beneath a wrinkled, wind-burned face topped by wispy-thin white hair, he sits at the back corner table of a country caf laboriously turning manuscript pages with the gnarled fingers of a new england farmer. we swap nods as I take a seat at a table near the kitchen door. after a bowl of chowder I frame a new poem, stand, pull on my mackinaw to leave the mingled fresh baked bread-roast beef aromas and wade into a day submerged in a slate-blue lake of winter chill. at the door I turn to wave goodbye but he has vanished. Without Fanfare Society's orphan paces beneath the protective overhang stretching across strip mall movie houses, store fronts and restaurants. Dressed in his usual uniform of faded gray work pants and shirt, sneakers with paper-thin soles, he wears a light jacket to divert today's cold winds from his rail-thin body as he rambles along, head tilted forward, eyes fixed on the concrete a body length before him. Avoiding eye contact, he dodges an oncoming shopper, steps into the gutter, pauses to light one cigarette from another, climbs back onto the sidewalk and continues on his way, mumbling, holding the world at bay, fleeing the hounds of war howling threats only he can hear, the invisible symptom of his incurable head wound. Soon his stick figure silhouette will crumble without fanfare into a field of stones. Aboard the Amadeus II Wind-blown ripples crack the Main-Danube Canal's surface mirror reflecting fractured afternoon sunrays across the ceiling of the lounge where we sit with companions over sweet wine pressed from grapes near Wien as our cruise ship lock-steps north, lifting us over the continental spine dividing North and Black Sea watersheds, a twentieth century marvel confirming Charlemagne's eighth century vision.
Mantra Each night as I roll onto my left side and settle in a relaxed, fetal position, the last move before drifting into my first nap of the night, a wisp of song wafts through my head to echo in the canyons of my mind- my mantra for the night. Before morning, dream sounds or images will disrupt my rest several times. When my mantra drowns out the intruders I go back to sleep, but when my echoes surrender in defeat, I stumble, mumbling to myself, into the half-dark bathroom, pencil and paper in hand, and try to process sounds and pictures of images mined from the shaft of sleep into a new poem. Lonesome Moon Revolving hands dole out time under a lonesome moon whose placid face remains stoic as it revolves through rotating phases- peek-a-boo infant, shy toddler, brazen brat- but never strays beyond the grasp of protective earth to become lost among precocious cousins seeking attention. Past Midnight In the pitch dark of past midnight some-indeterminate-something disturbs our private universe and I wake in foggy uncertainty wrestling for rational thought. Senses race to full alert as I slow-roll a half turn, look at you lying buried in sheets, blanket, pillows, the covers rising and falling gently, almost imperceptibly, to the regular rhythm of your breathing. I feel before hearing a deep, distant rumble and run its vibrations through my catalog of potential causes- earthquake, storm, airplane, train. The next few moments seem to last half an hour before the rumble repeats, nearer, followed soon by rain drops pecking on the roof of our bedroom bay. Brilliant white strobes flash through cracks in closed shutters, splashing our bedroom with the flickering lights of an old movie house. Pecking swells to hammering and lightning strikes beyond the back yard. Its thunder clap and a window-battering wind blast interrupt your breathing pattern. I caress your shoulder. Your hand finds, squeezes mine. We lie listening as the storm lashes our little world with its fury. Even before the intruder departs your hand relaxes in mine and your sleep-induced breathing rhythm returns. Autopsy of a Poem Cocooned in the comfort of my study surrounded by books -and computer- I define fractals drawn on gray winter sky by a tangle of bare limbs as I wait out long delayed support from Parnassus, specifically a visit from the fickle daughter of Apollo and Mnemosyne. But she's off fickling elsewhere. In her protracted absence I dissect verse her graced presence inspired. I flay a poem, slice flesh, sinew from skeleton, collapse its structure. Then I strip out and examine the poem's viscera where conceptual fodder generates assonance, alliteration, rhyme, meter and punctuation energy. Following that, I remove the poem's heart, its energy pump that too often tries to be the brain. Then I crack the skull and read the poem's message, its raison d'etre. Donor The parking lot sign reads Donors Only, in the window, Open, on the door, Come In. He accepts the invitation. After the questionnaire, the sphygmomanometer cuff squeezes out one forty over seventy-six, the second hand times sixty-four beats in a minute, the thermometer beeps at ninety-seven point four, and the pricked-finger blood drop sinks in the copper sulfate solution bringing dread to a satisfactory conclusion. His donor lounge chair is new, comfortable, its flat arms slanting out, falling away like a sled run on a snow-covered golf course fairway. He lies back, eyes the sign facing him. One Pint Can Save.... A light green medical smock approaches, blocks his view. "Which arm do you wish to use today?" Out pops the macho quip he repeats six or seven times a year. "You want regular or high test?" She banters back "I need a pint of the high test today, Hon." "Better take the left then." Waiting to leave, he reflects on the sign, -One Pint Can Save Up To Three Lives- as another fifty-six day countdown begins. (Continues...)
Excerpted from Like a Riverby Michael R. Denington Copyright © 2009 by Michael R. Denington. Excerpted by permission.
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