The big house, standing on a high hill which overlooked the city, showed in the moonlight the grotesque outlines of a composite architecture. Originally it had been a square substantial edifice of Colonial simplicity. A later and less restrained taste had aimed at a castellated effect, and certain peaks and turrets had been added. Three of these turrets were excrescences stuck on, evidently, with an idea of adornment. The fourth tower, however, rounded out and enlarged a room on the third floor. This room was one of a suite, and the rooms were known as the Tower Rooms, and were held by those who had occupied them to be the most desirable in the barn-like building.
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Irene Temple Bailey (February 24, 1869 – July 6, 1953) was an American novelist and short story writer. Beginning around 1902, Temple Bailey was contributing stories to national magazines such as The Saturday Evening Post, Cavalier Magazine, Cosmopolitan, The American Magazine, McClure's, Woman's Home Companion, Good Housekeeping, McCall's and others. In 1914, Bailey wrote the screenplay for the Vitagraph Studios film Auntie, and two of her novels were filmed. She also had three of her books on the list of bestselling novels in the United States in 1918, 1922, and 1926 as determined by Publishers Weekly.
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