Perhaps we were pretty big boys - Jack and I. In fact, I'm afraid we were so big that we haven't grown much since. But Ollie was a boy, anyhow; he couldn't have been more than a dozen years old, and we looked upon him as being a very small boy indeed; though when folks saw us starting off, some of them seemed to think that we were as boyish as he, because, they said, it was such a foolish thing to do; and in some way, I'm sure I don't know how, boys have got the reputation of always doing foolish things. "They're three of a kind," said Grandpa Oldberry, as he watched us weigh anchor; "their parents oughter be sent fer." Well, it's hard to decide where to begin this true history. We didn't keep any log on this voyage of the Rattletrap. But I'll certainly have to go back of the time when Grandpa Oldberry expressed his opinion; and perhaps I ought to explain how we happened to be in that particular port.
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Hayden Carruth was born on August 3, 1921, in Waterbury, Connecticut, and educated at both the University of North Carolina at Chapel Hill and the University of Chicago, where he earned a master's degree. His first collection of poems, The Crow and the Heart, was published in 1959. Since then, he published more than thirty books, including Toward the Distant Islands: New and Selected Poems (Copper Canyon Press, 2006) and Doctor Jazz: Poems 1996-2000 (2001). Other poetry titles include Scrambled Eggs & Whiskey: Poems, 1991-1995 (1996), which received the National Book Award for Poetry; Collected Longer Poems (1994); Collected Shorter Poems, 1946-1991 (1992), which received the National Book Critics' Circle Award; The Sleeping Beauty (1990); and Tell Me Again How the White Heron Rises and Flies Across Nacreous River at Twilight Toward the Distant Islands (1989). Known also for his criticism, Carruth is the author of several prose collections, including Selected Essays & Reviews (Copper Canyon Press, 1996) and Sitting In: Selected Writings on Jazz, Blues, and Related Topics (1993), as well as nonfiction works, including Beside the Shadblow Tree: A Memoir of James Laughlin (Copper Canyon Press, 1999) and Reluctantly: Autobiographical Essays (1998). He is also the author of a novel, Appendix A (1963), and has edited a number of anthologies, including The Voice That Is Great Within Us: American Poetry of the Twentieth Century (Bantam, 1970). Informed by his political radicalism and sense of cultural responsibility, many of Carruth's best-known poems are about the people and places of northern Vermont, as well as rural poverty and hardship. About Carruth and his work, the poet Galway Kinnell has said, "This is not a man who sits down to 'write a poem'; rather, some burden of understanding and feeling, some need to know, forces his poems into being. Thoreau said, 'Be it life or death, what we crave is reality.' So it is with Carruth. And even in hell, knowledge itself bestows a halo around the consciousness with, at moments, attains it." Carruth received fellowships from the Bollingen Foundation, the Guggenheim Foundation, and the National Endowment for the Arts, and a 1995 Lannan Literary Fellowship. He was presented with the Lenore Marshall Award, the Paterson Poetry Prize, the Vermont Governor's Medal, the Carl Sandburg Award, the Whiting Award, and the Ruth Lilly Prize, among many others. He taught at Bucknell University in Lewisburg, Pennsylvania and at the Graduate Creative Writing Program at Syracuse University. Carruth lived in Vermont for many years before residing in Munnsville, New York, with his wife, the poet Joe-Anne McLaughlin Carruth. He died September 29, 2008.
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