As a member of Big in Japan, The Slits and, most famously, Siouxsie and the Banshees and The Creatures, 'Budgie' was an era-defining drummer in the much-mythologised post punk scene of the late 1970s and early 1980s.
But before he was Budgie, Peter Clarke was a boy growing up in working class St Helens in the 1960s. The loss of his mum at a young age created the absence that haunts the pages of this book. As a teenager disenchanted with art school in Liverpool, Peter became Budgie and befriended the likes of Jayne Casey, Pete Burns and other luminaries of the legendary Eric's Club before taking off for London and the big city heat of punk. Budgie's unique technique and musical sensitivity endeared him to the all-female group The Slits, who asked him to play on their debut album Cut. Subsequent touring with former members of the Sex Pistols and others from the post punk aristocracy firmly established Budgie's reputation for innovation.
But the beating heart of this at times painfully honest account of a life often sabotaged is, of course, his long-term position as Siouxsie and the Banshees' drummer and co-writer alongside his ex-wife Siouxsie Sioux. Their creative partnership produced some of the most seductive and celebrated pop music of the decade. Eventually, their personal relationship started to fall apart, with inevitable consequences for both bands. The Absence is bravely unflinching in its dissection of how and why this happened, and powerfully moving in its account of the angels that emerged to heal both these wounds and those of a mother's lost love. A man and musician whose creativity and singular style came to define the goth-pop 1980s, Budgie's life is both fabulously glamorous and a cautionary tale. For the first time the story of the era's most exalted and mysterious bands has been told by one who survived inside the belly of the beast.
"synopsis" may belong to another edition of this title.
Peter Clarke (Budgie) was born in 1957 in St. Helens in the Northwest of England. He studied Fine Art at the Gamble Institute and at Liverpool College of Art, before taking a sabbatical in 1977 to join a band... or two. He is known internationally for his unique style of drumming on 'The Slits' debut album, Cut (1979), and as writer, arranger and multi-instrumentalist, with both Siouxsie And The Banshees (1979 - 1996) and The Creatures (1981 - 2004). Self-taught, his influences range from Ringo to Rothko (via Ravel). Budgie was described by John Cale of 'The Velvet Underground' as a 'musician's musician'. He lives in Berlin, Germany with his wife, two children, three cats, and a Giant Schnauzer.
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Paperback. Condition: new. Paperback. As a member of Big in Japan, The Slits and, most famously, Siouxsie and The Banshees and The Creatures, 'Budgie' became one of the era-defining drummers in the much-mythologised post punk scene of the late 1970s and early 1980s. Growing up in working class St Helens in the 1960s, Peter Clarke lost his mum as a young boy and it's her 'absence' that haunts the pages of this book. Disenchanted with art school inLiverpool, Peter became Budgie and befriended the likes of Jayne Casey, Holly Johnson, Pete Burns, Bill Drummond and other luminaires of the legendary Eric's' Club, before taking off for London and the big city heat of punk. Budgie's unique technique and musical sensitivity endeared him to the all-female group The Slits, who asked him to play on their debut album Cut. Subsequent touring with former members of the Sex Pistols and others from the post punk aristocracy firmly established Budgie's reputation for innovation. But the beating heart of this painfully honest and frank account of a life often sabotaged by substance abuse and alcoholism is, of course, his long-term position as Siouxsie and The Banshee's drummer and co-writer alongside ex-lover, and ex-wife, Siouxsie Sioux. In the Banshees and seminal side project The Creatures, their creative partnership produced some of the most seductive and celebrated pop music of the decade, from Juju, through A Kiss in the Dreamhouse to the salutary valedictory album, Peepshow. Eventually, their personal relationship started to fall apart, with inevitable consequences for both bands. The Absence is brave and unflinching in its dissection of how and why this happened. Angels emerged, many of them female, to show Budgie that a mother's lost love can be replaced. A man and musician whose creativity and singular style came to define the goth-pop 1980s as much as any other individual, Budgie's life is both fabulously glamorous and a tawdry cautionary tale. For the first time the story of this most exalted and mysterious of bands has been told by one who survived inside the belly of the beast. A classic postpunk memoir by a cult hero of the 80s - Budgie, the drummer in Siouxsie and the Banshees - with a twist Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781399621571
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Paperback. Condition: New. As a member of Big in Japan, The Slits and, most famously, Siouxsie and the Banshees and The Creatures, 'Budgie' was an era-defining drummer in the much-mythologised post punk scene of the late 1970s and early 1980s. But before he was Budgie, Peter Clarke was a boy growing up in working class St Helens in the 1960s. The loss of his mum at a young age created the absence that haunts the pages of this book. As a teenager disenchanted with art school in Liverpool, Peter became Budgie and befriended the likes of Jayne Casey, Pete Burns and other luminaries of the legendary Eric's Club before taking off for London and the big city heat of punk. Budgie's unique technique and musical sensitivity endeared him to the all-female group The Slits, who asked him to play on their debut album Cut. Subsequent touring with former members of the Sex Pistols and others from the post punk aristocracy firmly established Budgie's reputation for innovation. But the beating heart of this at times painfully honest account of a life often sabotaged is, of course, his long-term position as Siouxsie and the Banshees' drummer and co-writer alongside his ex-wife Siouxsie Sioux. Their creative partnership produced some of the most seductive and celebrated pop music of the decade. Eventually, their personal relationship started to fall apart, with inevitable consequences for both bands. The Absence is bravely unflinching in its dissection of how and why this happened, and powerfully moving in its account of the angels that emerged to heal both these wounds and those of a mother's lost love. A man and musician whose creativity and singular style came to define the goth-pop 1980s, Budgie's life is both fabulously glamorous and a cautionary tale. For the first time the story of the era's most exalted and mysterious bands has been told by one who survived inside the belly of the beast. Seller Inventory # LU-9781399621571
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