What in terms of Alice Munro’s creative artistry and creative power allowed her to become the first and only short story writer, the first and only Canadian, and just the thirteenth woman in history to win the Nobel Prize in Literature? And exactly when during Munro’s career did her artistry and power advance to ensure that she would earn such world-wide renown? The answers lie in studying the boldly innovative yet greatly under-examined group of her four mid-career breakthrough books. Our volume therefore provides a carefully orchestrated analysis of Munro’s subtle yet potent handling of form, technique and style both within individual stories and across these special collections. Reading Alice Munro’s Breakthrough Books: A Suite in Four Voices not only addresses a significant vacancy in Munro criticism – and, by extension, in all short story criticism – but, equally importantly, offers an exciting new model for how criticism can be collectively written.
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J.R. (Tim) Struthers taught full-time at the University of Guelph in Guelph, Ontario, Canada, from 1985 until 2022. He has edited some thirty volumes of theory, criticism, autobiography, short stories and poetry, including the companion volumes Alice Munro Country and Alice Munro Everlasting (2020).
Ailsa Cox is Emerita Professor of Short Fiction at Edge Hill University, UK. She is the author of Writing Short Stories (2005; 2nd ed., 2016) and Alice Munro (2004). Her own short fiction has appeared in journals including Katherine Mansfield Studies (2010, 2022).
Corinne Bigot is Maîtresse de Conférences of Postcolonial Literatures at Université Toulouse Jean Jaurès, France. She is the author of Alice Munro, les silences de la nouvelle (2014) and, with Catherine Lanone, Sunlight and Shadow, Past and Present: Alice Munro’s Dance of the Happy Shades (2014).
Catherine Sheldrick Ross was until her death Professor Emerita in the Faculty of Information and Media Studies at Western University in London, Ontario, Canada. Her previous work included The Pleasures of Reading: A Booklover’s Alphabet (2014) and Alice Munro: A Double Life (1992).
[headline] This engaging volume provides an authoritative assessment of the middle period in the career of the widely-read, Nobel Prize-winning short story writer Alice Munro What in terms of Alice Munro's creative artistry and creative power allowed her to become the first and only short story writer, the first and only Canadian, and just the thirteenth woman in history to win the Nobel Prize in Literature? And exactly when during Munro's career did her artistry and power advance to ensure that she would earn such world-wide renown? The answers lie in studying the boldly innovative yet greatly under-examined group of her four mid-career breakthrough books. This volume provides a carefully orchestrated analysis of Munro's subtle yet potent handling of form, technique and style both within individual stories and across these special collections. Reading Alice Munro's Breakthrough Books: A Suite in Four Voices not only addresses a significant vacancy in Munro criticism - and, by extension, in all short story criticism - but equally importantly offers an exciting new model for how criticism can be collectively written. [bios] J.R. (Tim) Struthers taught full-time at the University of Guelph in Guelph, Ontario, Canada, from 1985 until 2022. Ailsa Cox is Emerita Professor of Short Fiction at Edge Hill University, UK. Corinne Bigot is Maîtresse de Conférences of Postcolonial Literatures at Université Toulouse Jean Jaurès, France. Catherine Sheldrick Ross was until her death Professor Emerita in the Faculty of Information and Media Studies at Western University in London, Ontario, Canada.
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