Surveying print and digital graphic life narratives about migrants, refugees and asylum seekers, this book investigates how comics and graphic novels witness human rights transgressions in contemporary Anglophone culture and how they can promote social justice. With thought given to how the graphic form can offer a powerful counterpoint to the legal, humanitarian and media discourses that dehumanise the most violated and dispossessed, but also how these works by western creatives may unconsciously reproduce Western neo-colonial presentations of the ‘other,’ Olga Michael focuses on gender, childhood and space within works from the United States, Mexico, Canada, Australia, Palestine, the United Kingdom, Syria, Italy, France, Niger, South Africa, Libya and Sri Lanka. Combining the familiar with the lesser-known, this book covers the work of Thi Bui's Best We Could Do, Mia Kirshner's I Live Here, Francesca Sanna's The Journey, Safda Ahmed's Villawood: Notes from an Immigration Detention Centre and the works of Joe Sacco.
Interdisciplinary in its consideration of life writing, comics and human rights studies, and comparative in approach, this book explores such topics as including the aesthetics of visualised suffering; spatial articulations of human rights violations; the occurrence of violations whilst crossing borders; the gendered dimensions of visually-captured violence; and how human rights discourses intersect with graphic depictions of the dead. In so doing, Michael establishes how to read human rights and social justice comics in relation to an escalating global crisis and deftly complicates negotiations of ‘otherness’ in discussions surrounding refugees and migration. A vitally important work to the humanities sector, this book underscores the significance of emphatic and ethical readings as forms of secondary witnessing.
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Olga Michael is a Postdoctoral Researcher in the English Studies department at the University of Cyprus, Greece. She has written chapters for Cultures of Testimony: An International Handbook of Theory and Practice (eds. Sara Jones and Roger Woods, 2022), Representations of 21st Century Migration into Europe (eds. Nelson González-Ortega and Ana Belén Martínez García, 2022) and Autofiction in English (ed. Hywel Dix, 2018) and her articles have appeared in such journals as Journal of Perpetrator Research, Studies in Twentieth and Twenty-First-Century Literature, a/b: Auto/Biography Studies, Journal of Graphic Novels and Comics, ImageText and Life Writing.
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Hardcover. Condition: new. Hardcover. Surveying print and digital graphic life narratives about people who become othered within Western contexts, this book investigates how comics and graphic novels witness human rights transgressions in contemporary Anglophone culture and how they can promote social justice. With thought given to how the graphic form can offer a powerful counterpoint to the legal, humanitarian and media discourses that dehumanise the most violated and dispossessed, but also how these works may unconsciously reproduce Western neo-colonial presentations of the other, Olga Michael focuses on gender, death, space, and border violence within graphic life narratives depicting suffering across different geo- and biopolitical locations. Combining the familiar with the lesser-known, this book covers works by artists such as Joe Sacco, Thi Bui, Mia Kirshner, Phoebe Gloeckner, Kamel Khelif, Francesca Sanna, Gabi Froden, Benjamin Dix and Lindsay Pollock, as well as Safdar Ahmed and Ali Dorani/Eaten Fish. Interdisciplinary in its consideration of life writing, comics and human rights studies, and comparative in approach, this book explores such topics as the aesthetics of visualised suffering; spatial articulations of human rights violations; the occurrence of violations whilst crossing borders; the gendered dimensions of visually captured violence; and how human rights discourses intersect with graphic depictions of the dead. In so doing, Michael establishes how to read human rights and social justice comics in relation to an escalating global crisis and deftly complicates negotiations of otherness. A vitally important work to the humanities sector, this book underscores the significance of postcolonial decolonized reading acts as forms of secondary witness. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781350329751
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Hardcover. Condition: new. Hardcover. Surveying print and digital graphic life narratives about people who become othered within Western contexts, this book investigates how comics and graphic novels witness human rights transgressions in contemporary Anglophone culture and how they can promote social justice. With thought given to how the graphic form can offer a powerful counterpoint to the legal, humanitarian and media discourses that dehumanise the most violated and dispossessed, but also how these works may unconsciously reproduce Western neo-colonial presentations of the other, Olga Michael focuses on gender, death, space, and border violence within graphic life narratives depicting suffering across different geo- and biopolitical locations. Combining the familiar with the lesser-known, this book covers works by artists such as Joe Sacco, Thi Bui, Mia Kirshner, Phoebe Gloeckner, Kamel Khelif, Francesca Sanna, Gabi Froden, Benjamin Dix and Lindsay Pollock, as well as Safdar Ahmed and Ali Dorani/Eaten Fish. Interdisciplinary in its consideration of life writing, comics and human rights studies, and comparative in approach, this book explores such topics as the aesthetics of visualised suffering; spatial articulations of human rights violations; the occurrence of violations whilst crossing borders; the gendered dimensions of visually captured violence; and how human rights discourses intersect with graphic depictions of the dead. In so doing, Michael establishes how to read human rights and social justice comics in relation to an escalating global crisis and deftly complicates negotiations of otherness. A vitally important work to the humanities sector, this book underscores the significance of postcolonial decolonized reading acts as forms of secondary witness. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781350329751
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