Excerpt from The Delphian Course, Vol. 3: A Systematic Plan of Education, Embracing the World's Progress and Development of the Liberal Arts
The first original of the drama was a religious worship, consisting only of a chorus, which was nothing else but an hymn to a deity. As luxury and voluptuousness prevailed over innocence and religion, this form of worship degener ated into tragedies; in which, however, the chorus so far remembered its first office as to brand everything that was vicious and recommend everything that was laudable, to inter cede with Heaven for the innocent and to implore its vengeance on the criminal.
Homer and Hesiod intimate to us how this art should be applied, when they represent the Muses as surrounding Jupiter, and warbling their hymns about his throne. - Addison: Spec tator, 405.
The origin of the Greek drama is to be found in the yearly celebrations observed in honor of Dionysus, god of wine. Riotous festivals were held, during which the god of wine was extolled with carousals and boisterous songs, - these having been introduced into Greece from Thrace, where they were even Wilder in their nature. Dionysus had taught men how to grow the vine and how to make delicious wine from its fruit. He was conceived to be a rollicking god, jolly and restless, and was very popular in Hellas. Myths connected him with a company of satyrs - half men, half goats, who sang his praises and drank his wine, and went about leading others to join their train. That he might be appropriately worshipped, people banded together in companies at certain seasons of the year and indulged in noisy revelry, as Silenus and his satyrs were supposed to do. In fantastic dances and wild choruses they did honor to the god.
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Paperback. Condition: New. Print on Demand. This book delves into the origins and evolution of the Greek drama, from its religious roots to its transformation into one of the most sophisticated art forms in history. The author traces the development of Greek plays from their humble beginnings as choral performances honoring Dionysus to the complex and powerful tragedies of Aeschylus, Sophocles, and Euripides. The book explores the ways in which these playwrights used drama to address profound philosophical questions about the nature of humanity, fate, and the divine. Their works not only provided entertainment but also served as a means of social and political commentary, holding a mirror up to the strengths and weaknesses of Athenian society. The author argues that Greek drama remains relevant today, offering insights into the human condition that transcend time and culture. Through its exploration of universal themes, this book sheds light on the enduring power of storytelling and its ability to illuminate the human experience. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Seller Inventory # 9781333019310_0
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Condition: Sehr gut. Zustand: Sehr gut | Seiten: 530 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar. Seller Inventory # 26954102/2