Excerpt from A History of English Prose Rhythm The work which I am now attempting, and which was, in an indirect fashion, promised or aspired to in the History of English Prosody (iii. 20 and elsewhere), may be said to be a carrying out of lines laid down a good deal earlier than those of the History of Prosody itself. It is now some six and thirty years since Lord Morley of Blackburn, then editor of the Fortnightly Review, after most kindly honouring a draft at sight which I had drawn upon him, uninvited and unintroduced, in the shape of a paper on Charles Baudelaire, asked me to write something else on "English Prose Style," a matter on which, though always interested in it from the time when, as a mere boy, I read De Quincey, I had never yet formulated any very precise ideas. About this time, or shortly after, I came into abundant practice as a reviewer, and had to keep the subject before me; while, some years later still, the late Mr. Kegan Paul asked me to deal still more elaborately with it in the Preface to a collection of Extracts. By this time I had systematised my ideas on the subject to some not inconsiderable extent, and the idea of formal scansion of English prose (if I had known of Bishop Hurd's attempts I certainly had forgotten all about them) first regularly suggested itself. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from A History of English Prose Rhythm
Now, on the possibility, and still more on the use, of this latter, in regard to the majority of subjects, I am something of a sceptic; and even when I acknowledge the felicity of knowing the causes of things, I think it well to know the things themselves first. I do not, however, intend to neglect theory altogether, and some generalising suggestions will be found in the Interchapters which summarise the successive Periods, as well as in the Conclusion, and especially in Appendix III. But I wish chiefly to bring out the facts of this interesting and much neglected matter; and to indicate the additional delecta tion which attends the study of them. To sport with Amaryllis (if Amaryllis be poetry) may be best but there remains a Neara in prose, and the tangles of her hair are not to be despised by the sportsman-lover.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
George Saintsbury (1845-1933) was a journalist, reviewer, critic, editor, and Professor of Literature at the University of Edinburgh. Thomas Pinney is Professor of English Emeritus at Pomona College. Among other books, he is author of "A History of Wine in America "(in two volumes from UC Press).
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Paperback. Condition: New. Print on Demand. This book delves into the hidden world of prose rhythm, exploring its presence and evolution throughout the history of English literature. The author takes readers on a journey through time, starting with the earliest recorded English prose and tracing its development through various periods, from Old and Middle English to the rise of the ornate style and the subsequent emergence of the plain. The author, drawing inspiration from the works of classical critics like Aristotle and Quintilian, argues that prose, like verse, possesses a measurable rhythm, and that understanding this rhythm is key to appreciating the artistry and nuances of written language. By analyzing the works of major English authors, the book demonstrates how prose rhythm can create specific effects, ranging from grandeur and solemnity to intimacy and conversational ease. The author's insightful exploration of prose rhythm sheds light on the unseen forces that shape our reading experience and offers a fresh perspective on the evolution of English literature. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Seller Inventory # 9781330608241_0
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # LW-9781330608241
Quantity: 15 available