Excerpt from The Theory and Practice of Musical Form: On the Basis of Ludwig Bussler's "Musikalische Formenlehre"
In view of the fact that the means or organs by which musical tones are produced are either natural (the human voice), or artificial (musical instruments), music is either 1. Purely vocal or, 2. Purely instrumental; or, 3. Mixed - i. E., at once vocal and instrumental. To one or the other of these three grand divisions of musical forms every musical composition must be assigned. Further, each one of these form-genera, as embracing compositions having either but a single movement, or many movements, is, accordingly, either simple, or composite (cyclical).
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Paperback. Condition: New. Print on Demand. This book analyzes and categorizes the various musical structures used by some of history's greatest composers. The author provides a detailed breakdown of everything from the very smallest elements of these structures up to the more complex forms we see in symphonies and sonatas, organizing them into six pedagogical divisions to provide an analytical framework for understanding the creations of Haydn, Mozart, and Beethoven. The author discusses how the composers took these structures and used them to build multi-movement works, each section of which has its own distinct formal design while contributing to the overall musical experience. The book is an invaluable reference for composers, students, and music lovers looking to deepen their understanding and appreciation of the classical canon. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Seller Inventory # 9781330405734_0
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # LW-9781330405734
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