Items related to Inquiries concerning the structure of the Semitic languages
Synopsis
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1876 Excerpt: ...7 to the end of v. 11 we have no longer a narrative of specific facts happening at certain times, but a statement of the ordinary and customary course of things which arose as soon as Moses removed the tabernacle to a place outside of the camp. The wa and its Imperfects are dropped, and instead we find we with Perfects indicating the several stages in the new order of things. "And it became the custom--every man that seeketh the Lord, goeth out--." "Also it became the custom--when Moses goeth out, straightloay rise up all the people and take their stand--and look--." "Also it became the custom, when Moses goeth into the tabernacle straightway descendeth--and standeth--and He speaketh," etc. v. 10. we-raah--we-kara. Concurrent Perfects. "And whenever the people saw--then they rose up." v. 11. wS-dibber. The writer repeats the closing words of v. 9, and goes on to explain the manner of the speaking there mentioned. Chapter XXXIV. v. 33. Lit. "Then Moses ceases speaking with them, then (after ceasing to speak) he puts on his face a veil." Chapter XXXVI. E. V. "Then wrought Bezaleel and Aholiab." If this had been the meaning, it must have been expressed in Hebrew by wa with the Imperfect. The form w8-hayah indicates a grammatical dependence of this verse on the last verse of the chapter preceding. "In order that Bezaleel and Aholiab may work (be the regular workers)." The beginning of the work is narrated in the following verses. Chapter XL. v. 29. Here the sequence is broken, in order to introduce a mention of facts which were going on concurrently with some of the facts just narrated. Whilst one set of men were, by direction of Moses, setting up the tabernacle and putting in their places th...
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About the Author
William Martin has written seven novels, an award-winning PBS documentary, and a horror movie now considered a cult classic. He is best known, however, for his historical fiction, which has chronicled the history of Boston, New England, and the nation. His first novel, Back Bay, spent fourteen weeks on the New York Times Best Seller List. His subsequent novels, including Harvard Yard, Citizen Washington, Annapolis, and Cape Cod, have established him, in the words of Publishers Weekly, as a storyteller whose smoothness matches his ambition. There are now more than three million copies of his books in print. Martin was the recipient of the 2005 New England Book Award, given by the New England Booksellers Association to an author whose body of work stands as a significant contribution to the culture of the region.
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