Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. The book first presents a general description of the history and background of popular music in France, followed by essays that are organized into thematic sections: The Mutations of French Popular Music During the "Trente Glorieuses"; Politicising Popular Music; Assimilation, Appropriation, French Specificity; and From Digital Stakes to Cultural Heritage: French Contemporary Topics.
Contributors:
Christian Béthune
Juliette Dalbavie
Gérôme Guibert
Fabien Hein
Olivier Julien
Marc Kaiser
Barbara Lebrun
David Looseley
Stéphanie Molinero
Anne Petiau
Cécile Prévost-Thomas
Vincent Rouzé
Catherine Rudent
Matthieu Saladin
Jedediah Sklower
Raphaël Suire
Florence Tamagne
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Gérôme Guibert is a doctor in sociology and associate professor at the Paris III Sorbonne Nouvelle University. He has published many books, including La Production de la culture: Le cas des musiques amplifiées en France and is editor-in-chief of Volume!, the French journal of popular music studies.
Catherine Rudent is a doctor and an associate professor in musicology at Paris-Sorbonne University (Paris IV). She is the author of L’Album de chansons: Entre processus social et œuvre musicale. A founding member of the European francophone branch of the International Association for the Study of Popular Music (IASPM), in 2011 she created a book series about popular music, Musiques Populaires Actuelles/Amplifiées.
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