This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological ‘node’, or interface between different times, places and people – an approach which also invokes Edward Soja’s notion of ‘Thirdspace’ to describe the blend between the real and the imaginary characteristic of Shakespeare’s multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet – conceptually from an anthropological perspective, and historically in the tragedy’s migrations to Germany, Russia and NorthAmerica.
"synopsis" may belong to another edition of this title.
Ina Habermann is Professor of English at the University of Basel, Switzerland. She is the author of Staging Slander and Gender in Early Modern England (2003) and Myth, Memory and the Middlebrow: J.B. Priestley and the Symbolic Form of Englishness (2010).
Michelle Witen is Postdoctoral Teaching and Research Fellow at the University of Basel, Switzerland. Her research interests include Modernist incorporations of musical structure and nineteenth-century newspapers. Her monograph James Joyce’s Absolute Music is forthcoming.
This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological ‘node’, or interface between different times, places and people – an approach which also invokes Edward Soja’s notion of ‘Thirdspace’ to describe the blend between the real and the imaginary characteristic of Shakespeare’s multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet – conceptually from an anthropological perspective, and historically in the tragedy’s migrations to Germany, Russia and NorthAmerica.
"About this title" may belong to another edition of this title.
Seller: Bay State Book Company, North Smithfield, RI, U.S.A.
Condition: very_good. Seller Inventory # BSM.1BFCJ
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new. Questo è un articolo print on demand. Seller Inventory # e3fed342c75592da48dda82d404047a8
Quantity: Over 20 available
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological 'node', or interface between different times, places and people - an approach which also invokes Edward Soja's notion of 'Thirdspace' to describe the blend between the real and the imaginary characteristic of Shakespeare's multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet - conceptually from an anthropological perspective, and historically in the tragedy's migrations to Germany, Russia and North America. 300 pp. Englisch. Seller Inventory # 9781137518347
Quantity: Over 20 available
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Editor(s): Habermann, Ina; Witen, Michelle. Series: Palgrave Shakespeare Studies. Num Pages: 297 pages, biography. BIC Classification: 2AB; DSGS. Category: (G) General (US: Trade). Dimension: 210 x 148 x 21. Weight in Grams: 519. . 2016. Hardback. . . . . Seller Inventory # V9781137518347
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In English. Seller Inventory # ria9781137518347_new
Quantity: Over 20 available
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Hardback. Condition: New. New copy - Usually dispatched within 7-11 working days. Seller Inventory # B9781137518347
Quantity: 15 available
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological 'node', or interface between different times, places and people - an approach which also invokes Edward Soja's notion of 'Thirdspace' to describe the blend between the real and the imaginary characteristic of Shakespeare's multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet - conceptually from an anthropological perspective, and historically in the tragedy's migrations to Germany, Russia and NorthAmerica. Seller Inventory # 9781137518347
Seller: buchversandmimpf2000, Emtmannsberg, BAYE, Germany
Buch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This collection offers an overview of the ways in which space has become relevant to the study of Shakespearean drama and theatre. It distinguishes various facets of space, such as structural aspects of dramatic composition, performance space and the evocation of place, linguistic, social and gendered spaces, early modern geographies, and the impact of theatrical mobility on cultural exchange and the material world. These facets of space are exemplified in individual essays. Throughout, the Shakespearean stage is conceived as a topological ¿node¿, or interface between different times, places and people ¿ an approach which also invokes Edward Sojäs notion of ¿Thirdspace¿ to describe the blend between the real and the imaginary characteristic of Shakespeare¿s multifaceted theatrical world. Part Two of the volume emphasises the theatrical mobility of Hamlet ¿ conceptually from an anthropological perspective, and historically in the tragedy¿s migrations to Germany, Russia and NorthAmerica.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 300 pp. Englisch. Seller Inventory # 9781137518347
Seller: Books Puddle, Woodside, NY, U.S.A.
Condition: New. pp. 282. Seller Inventory # 26375178741