Synopsis
Besides the Screen seeks to make an intervention into film and screen studies by examining and considering the elements of cinematic experience, production and dissemination that exist beside the screen. New media technologies impact cinema well beyond the screen; they also promote the reorganization of its logic of distribution, modes of consumption and viewing regimes. This publication speculates about the changes in modes of accessing, distributing, storing and promoting moving images and how they might affect cinematographic experience, economy and historiography. In doing so, Besides the Screen examines three key themes: distribution, promotion and curation. The volume's main argument is that we must examine those practices that exist besides the screen if we are to consider fully how filmic experience is mediated by various technological and societal changes in the early decades of the twenty-first century.
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About the Author
Jonas Andersson Schwarz, Södertörn University, Sweden Ana Carvalho, Universidade do Porto, Portugal Virginia Crisp, Middlesex University, UK Stefania Haritou, Independent Researcher, Greece Stephanie Janes, Royal Holloway, University of London, UK Zlatan Krajina, University of Zagreb, Croatia Gabriel Menotti Gonring, Federal University of Espírito Santo, Brazil Ya-Feng Mon, Goldsmiths, University of London, UK Claudy Op den Kamp, University of Zurich, Switzerland Alejandro Pardo, University of Navarra, Spain Elena Papadaki, University of Greenwich, UK Enrica Picarelli, University of Lisbon, Portugal
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