This edited collection gathers together leading voices in theatre and performance studies to debate the politics of participation and find points of connection across a range of performative forms – including community theatre, live art, applied theatre, one-to-one performance and marathon running. Arranged in three sections, 'Recognising Participation', 'Labours of Participation', and 'Authoring Participation', the book raises productive questions about how and why audiences are encouraged to participate in creating the artistic work. This intersection, the authors suggest, blurs the boundaries between producer and consumer, promising modes of engagement that are at once political, social and aesthetic.
Applying theoretical ideas to concrete discussions of practice, this is an ideal resource for undergraduate and postgraduate students of applied theatre, political and socially-engaged theatre, participatory theatre making and performance studies.
"synopsis" may belong to another edition of this title.
Anna Harpin is Associate Professor of Theatre and Performance at the University of Warwick, UK.; Helen Nicholson is Professor of Drama and Theatre at Royal Holloway, University of London, UK.
"About this title" may belong to another edition of this title.
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Condition: New. This edited collection gathers together leading voices in theatre and performance studies to debate the politics of participation across a range of performative forms - community theatre, live art, applied theatre, one-to-one performance and marathon running - and to find points of connection between them. Editor(s): Harpin, Anna; Nicholson, Helen. Num Pages: 244 pages, 20 black & white illustrations, biography. BIC Classification: 3JM; ANF; ASZ. Category: (U) Tertiary Education (US: College). Dimension: 235 x 155 x 16. Weight in Grams: 540. . 2016. 1st ed. 2017. Hardcover. . . . . Seller Inventory # V9781137393173
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Hardback. Condition: New. This edited collection gathers together leading voices in theatre and performance studies to debate the politics of participation and find points of connection across a range of performative forms - including community theatre, live art, applied theatre, one-to-one performance and marathon running. Arranged in three sections, 'Recognising Participation', 'Labours of Participation', and 'Authoring Participation', the book raises productive questions about how and why audiences are encouraged to participate in creating the artistic work. This intersection, the authors suggest, blurs the boundaries between producer and consumer, promising modes of engagement that are at once political, social and aesthetic. Applying theoretical ideas to concrete discussions of practice, this is an ideal resource for undergraduate and postgraduate students of applied theatre, political and socially-engaged theatre, participatory theatre making and performance studies. Seller Inventory # LU-9781137393173
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Condition: New. This edited collection gathers together leading voices in theatre and performance studies to debate the politics of participation across a range of performative forms - community theatre, live art, applied theatre, one-to-one performance and marathon running - and to find points of connection between them. Editor(s): Harpin, Anna; Nicholson, Helen. Num Pages: 244 pages, 20 black & white illustrations, biography. BIC Classification: 3JM; ANF; ASZ. Category: (U) Tertiary Education (US: College). Dimension: 235 x 155 x 16. Weight in Grams: 540. . 2016. 1st ed. 2017. Hardcover. . . . . Books ship from the US and Ireland. Seller Inventory # V9781137393173
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