Items related to Twentieth-Century Music in the West: An Introduction

Twentieth-Century Music in the West: An Introduction - Hardcover

 
9781108481984: Twentieth-Century Music in the West: An Introduction
  • PublisherCambridge University Press
  • Publication date2022
  • ISBN 10 1108481981
  • ISBN 13 9781108481984
  • BindingHardcover
  • LanguageEnglish
  • Number of pages494

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9781108741736: Twentieth-Century Music in the West: An Introduction

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Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim; Rogers, Holly
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Tom Perchard , Stephen Graham , Tim Rutherford-Johnson , Holly Rogers
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Hardcover. Condition: new. Hardcover. This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts. The book comprises four sections Histories, Techniques and Technologies, Mediation, Identities with 16 thematic chapters. Each of these explores a musical or cultural topic as it developed over many years, and as it appeared across a diversity of musical practices. In this way, the text introduces both key musical repertoire and critical-musicological approaches to that work. It historicises music and musical thinking, opening up debate in the present rather than offering a new but closed narrative of the past. In each chapter, an overview of the topic's chronology and main issues is illustrated by two detailed case studies. This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It highlights the interconnections between different genres and styles, enabling better understanding of their aesthetics, practice and key repertoire. It is designed for easy use by students and teachers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781108481984

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Hardcover. Condition: new. Hardcover. This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts. The book comprises four sections Histories, Techniques and Technologies, Mediation, Identities with 16 thematic chapters. Each of these explores a musical or cultural topic as it developed over many years, and as it appeared across a diversity of musical practices. In this way, the text introduces both key musical repertoire and critical-musicological approaches to that work. It historicises music and musical thinking, opening up debate in the present rather than offering a new but closed narrative of the past. In each chapter, an overview of the topic's chronology and main issues is illustrated by two detailed case studies. This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It highlights the interconnections between different genres and styles, enabling better understanding of their aesthetics, practice and key repertoire. It is designed for easy use by students and teachers. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781108481984

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Tom Perchard , Stephen Graham , Tim Rutherford-Johnson , Holly Rogers
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Perchard, Tom (Goldsmiths, University of London)|Graham, Stephen (Goldsmiths, University of London)|Rutherford-Johnson, Tim|Rogers, Holly (Goldsmiths, University of London)
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Condition: New. &Uumlber den AutorTom Perchard s work centres on the history and historiography of jazz and popular music. He is the author of After Django: Making Jazz in Postwar France (2015) and Lee Morgan: His Life, Music and Culture (2006). He is . Seller Inventory # 662531817

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Buch. Condition: Neu. Neuware - 'Introduction Steve Reich pitched up in San Francisco in September 1961. He was a young musician, one who had been taken by the early-century work of the Hungarian composer and folklorist Bâela Bartâok, and he had journeyed west from New York in the hope of studying with Leon Kirchner, a composer in the rough-lyric Bartâok tradition who'd been teaching at Mills College. But Kirchner had just left for Harvard, so Reich ended up working at Mills under Luciano Berio. Over the course of the previous decade, Berio had become identified as a figurehead of the European post-war avant-garde: his ultramodern serialist work was quite a different proposition to Kirchner's own'--. Seller Inventory # 9781108481984

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