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Synopsis
Worrall presents an innovative transposition of social assemblage theory into eighteenth-century British theatre and performance history.
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About the Author
David Worrall is Professor of English at Nottingham Trent University. He is the author of Theatric Revolution: Drama, Censorship and Romantic Period Subcultures, 1773–1832 (2006), The Politics of Romantic Theatricality: The Road to the Stage (2007) and Harlequin Empire: Race, Ethnicity and the Drama of the Popular Enlightenment (2007). He has held fellowships from the Leverhulme Trust, Lewis Walpole Library, Folger Shakespeare Library and Huntington Library, and the Library Company of Pennsylvania.
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Celebrity, Performance, Reception: British Georgian Theatre as Social Assemblage
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