This 1893 study of the music, instruments and dance of the world's indigenous peoples reflects the Victorian view that human development moved from primitive to complex along a linear evolutionary path. Despite this standpoint, it was an important contribution to comparative musicology in the late nineteenth century, demonstrating the principle that studying the music of non-European cultures and societies could help Europeans understand their own musical tradition. On the basis of his comparative analysis, Wallaschek developed a theory that music originated from rhythm and dance rather than the melody of speech. His proposed model moved forward that of Wagner, and recognised that music is embedded as a fundamental element of social interaction. The book describes music and instruments around the world, the role of singing and dance, and tonality and harmony, before discussing the origin of music and the role of heredity and external circumstances on musicality.
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A Victorian study of the music, instruments and dance of the world's indigenous peoples from which the author, a pioneer in comparative musicology, develops his theory of the origin of music based on rhythm and an innate sense of time, rather than the melody of speech.
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Condition: New. A pioneering Victorian study of the music of the world's indigenous peoples which sheds light on the origins of music. Series: Cambridge Library Collection - Music. Num Pages: 352 pages, 9 b/w illus. BIC Classification: AVC. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 20. Weight in Grams: 450. . 2009. Reprint. paperback. . . . . Seller Inventory # V9781108003728
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Paperback. Condition: new. Paperback. This 1893 study of the music, instruments and dance of the world's indigenous peoples reflects the Victorian view that human development moved from primitive to complex along a linear evolutionary path. Despite this standpoint, it was an important contribution to comparative musicology in the late nineteenth century, demonstrating the principle that studying the music of non-European cultures and societies could help Europeans understand their own musical tradition. On the basis of his comparative analysis, Wallaschek developed a theory that music originated from rhythm and dance rather than the melody of speech. His proposed model moved forward that of Wagner, and recognised that music is embedded as a fundamental element of social interaction. The book describes music and instruments around the world, the role of singing and dance, and tonality and harmony, before discussing the origin of music and the role of heredity and external circumstances on musicality. A Victorian study of the music, instruments and dance of the world's indigenous peoples from which the author, a pioneer in comparative musicology, develops his theory of the origin of music based on rhythm and an innate sense of time, rather than the melody of speech. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781108003728
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