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Synopsis
This innovative study offers a genuinely groundbreaking approach to Shakespeare in performance. Six chapters work like case studies, each highly creative in terms of visual form and structure - including puzzles, comics and pinboards - inviting the reader into playful engagement with the performative dimensions of Shakespearean production. The case studies include discussion of training and rehearsal processes; the materiality of the performance event and its various embodiments; the intertextual citations through which productions make meaning; and, in response to all of this, the multiplicity and variety of audience perspectives and interpretations. Conkie's production choices range from original practices to politicised adaptations, small-scale workshops to multimedia spectacles, offering inventive analyses of what Shakespeare might mean, or can be made to mean, at particular times and in specific places, at the start of the twenty-first century.
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About the Author
Rob Conkie is Senior Lecturer of Theatre and Drama at La Trobe University, Victoria. His research integrates practical and theoretical approaches to Shakespeare in performance. He is the author of The Globe Theatre Project: Shakespeare and Authenticity (2006) and has published articles in journals including Shakespeare, Shakespeare Bulletin and Shakespeare Survey.
"About this title" may belong to another edition of this title.
- PublisherCambridge University Press
- Publication date2019
- ISBN 10 1107421306
- ISBN 13 9781107421301
- BindingPaperback
- LanguageEnglish
- Number of pages178
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Writing Performative Shakespeares: New Forms for Performance Criticism
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Writing Performative Shakespeares: New Forms for Performance Criticism
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Writing Performative Shakespeares: New Forms for Performance Criticism
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Writing Performative Shakespeares: New Forms for Performance Criticism
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Writing Performative Shakespeares (Paperback)
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Paperback. Condition: new. Paperback. This innovative study offers a genuinely groundbreaking approach to Shakespeare in performance. Six chapters work like case studies, each highly creative in terms of visual form and structure - including puzzles, comics and pinboards - inviting the reader into playful engagement with the performative dimensions of Shakespearean production. The case studies include discussion of training and rehearsal processes; the materiality of the performance event and its various embodiments; the intertextual citations through which productions make meaning; and, in response to all of this, the multiplicity and variety of audience perspectives and interpretations. Conkie's production choices range from original practices to politicised adaptations, small-scale workshops to multimedia spectacles, offering inventive analyses of what Shakespeare might mean, or can be made to mean, at particular times and in specific places, at the start of the twenty-first century. Through a series of highly innovative visual forms, this original volume offers the reader an innovative approach to Shakespeare in performance. It will be of great interest to scholars and students of Shakespeare in performance, theatre studies, and performative writing. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781107421301
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Writing Performative Shakespeares: New Forms for Performance Criticism
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ISBN 13: 9781107421301
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Writing Performative Shakespeares: New Forms for Performance Criticism
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Writing Performative Shakespeares: New Forms for Performance Criticism
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Cambridge University Press, 2019
ISBN 10: 1107421306
ISBN 13: 9781107421301
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Writing Performative Shakespeares
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Through a series of highly innovative visual forms, this original volume offers the reader an innovative approach to Shakespeare in performance. It will be of great interest to scholars and students of Shakespeare in performance, theatre studies, and perfor. Seller Inventory # 255916873
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