Synopsis
The first comprehensive study of musical form in operatic and concert overtures in continental Europe between 1815 and 1850.
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About the Author
Steven Vande Moortele is Assistant Professor of Music Theory at the University of Toronto. His research interests include theories of musical form, the analysis of large-scale instrumental music from the late-eighteenth to the early-twentieth century, and the works of Richard Wagner and Arnold Schoenberg. He is the author of Two-Dimensional Sonata Form: Form and Cycle in Single-Movement Instrumental Works by Liszt, Strauss, Schoenberg, and Zemlinsky (2009) and co-editor of Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno (with Julie Pedneault-Deslauriers and Nathan John Martin, 2015). From 2013 to 2016, he was also co-editor of the journal Music Theory and Analysis (MTA).
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The Romantic Overture and Musical Form from Rossini to Wagner
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Cambridge University Press, 2017
ISBN 10: 1107163196
ISBN 13: 9781107163195
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The Romantic Overture and Musical Form from Rossini to Wagner
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ISBN 10: 1107163196
ISBN 13: 9781107163195
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Hardcover. Condition: Like New. Dust Jacket Condition: Like New. First Edition. Dark blue hardback in nearly new condition: firm and square with bright gilt lettering. Complete with original dustjacket, neat and sharp, not showing any scuffs, tears or chips. Contents crisp, tight and clean; no pen-marks. Looks and feels unread. Thus a very nice copy. Seller Inventory # 124532
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Romantic Overture and Musical Form from Rossini to Wagner
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ISBN 10: 1107163196
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The Romantic Overture and Musical Form from Rossini to Wagner
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Romantic Overture and Musical Form from Rossini to Wagner
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ISBN 10: 1107163196
ISBN 13: 9781107163195
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ISBN 10: 1107163196
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The Romantic Overture and Musical Form from Rossini to Wagner (Hardcover)
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ISBN 10: 1107163196
ISBN 13: 9781107163195
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Hardcover. Condition: new. Hardcover. In this book Steven Vande Moortele offers a comprehensive account of operatic and concert overtures in continental Europe between 1815 and 1850. Discussing a broad range of works by German, French, and Italian composers, it is at once an investigation of the Romantic overture within the context of mid-nineteenth century musical culture and an analytical study that focuses on aspects of large-scale formal organization in the overture genre. While the book draws extensively upon the recent achievements of the 'new Formenlehre', it does not use the overture merely as a vehicle for a theory of romantic form, but rather takes an analytical approach that engages with individual works in their generic context. This book is the first comprehensive study of musical form in the genre of the overture in continental Europe between 1815 and 1850. Combining historical and analytical perspectives, and discussing a broad range of German, French, and Italian operatic and concert overtures, it will appeal to both musicologists and music theorists. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781107163195
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Romantic Overture and Musical Form from Rossini to Wagner
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Romantic Overture and Musical Form from Rossini to Wagner
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