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Synopsis
The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production.
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Book Description
The impact of digital technologies on music has been vast: both the practice of music and thinking about it have changed almost beyond all recognition. Through chapters written by academics and 'personal takes' by knowledgeable practitioners in the field, this book provides a comprehensive Companion to the place of music within digital culture.
About the Author
Nicholas Cook is Emeritus Professor at the University of Cambridge. He is the author of Music: A Very Short Introduction (1998) and Music as Creative Practice (2018), and won the SMT's Wallace Berry Award for The Schenker Project (2007).
Monique M. Ingalls is Assistant Professor of Music at Baylor University, Texas. Author of Singing the Congregation (2018), she is Series Editor for Routledge's Congregational Music Studies Series and co-organiser of the biennial international conference 'Christian Congregational Music: Local and Global Perspectives'.
David Trippett is Senior Lecturer in the Faculty of Music, University of Cambridge. Author of Wagner's Melodies (Cambridge, 2013), his wide-ranging research has received the Einstein and Lockwood Prizes (American Musicological Society), the Nettl Prize (Society for Ethnomusicology), and an American Society of Composers, Authors, and Publishers (ASCAP) Deems Taylor award.
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- PublisherCambridge University Press
- Publication date2019
- ISBN 10 1107161789
- ISBN 13 9781107161788
- BindingHardcover
- LanguageEnglish
- Number of pages346
- EditorCook Nicholas, Ingalls Monique M., Trippett David
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Hardcover. Condition: new. Hardcover. The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production. The impact of digital technologies on music has been vast: both the practice of music and thinking about it have changed almost beyond all recognition. Through chapters written by academics and 'personal takes' by knowledgeable practitioners in the field, this book provides a comprehensive Companion to the place of music within digital culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781107161788
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Hardcover. Condition: new. Hardcover. The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production. The impact of digital technologies on music has been vast: both the practice of music and thinking about it have changed almost beyond all recognition. Through chapters written by academics and 'personal takes' by knowledgeable practitioners in the field, this book provides a comprehensive Companion to the place of music within digital culture. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781107161788
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Hardcover. Condition: new. Hardcover. The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production. The impact of digital technologies on music has been vast: both the practice of music and thinking about it have changed almost beyond all recognition. Through chapters written by academics and 'personal takes' by knowledgeable practitioners in the field, this book provides a comprehensive Companion to the place of music within digital culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9781107161788
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