This book revives what was unique, strange and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Laura Weigert brings together a wealth of visual artifacts and practices to explore this tradition of late medieval performance located not in 'theaters' but in churches, courts, and city streets and squares. By stressing the theatricality rather than the realism of fifteenth-century visual culture and the spectacular rather than the devotional nature of its effects, she offers a new way of thinking about late medieval representation and spectatorship. She shows how images that ostensibly document medieval performance instead revise its characteristic features to conform to a playgoing experience that was associated with classical antiquity. This retrospective vision of the late medieval performance tradition contributed to its demise in sixteenth-century France and promoted assumptions about medieval theater that continue to inform the contemporary disciplines of art and theater history.
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Laura Weigert is Associate Professor of Art History at Rutgers University, New Jersey. She is the recipient of grants from the American Philosophical Society, the National Endowment for the Humanities, and the Humboldt Foundation, and she was a Samuel H. Kress Senior Fellow at the Center for Advanced Study in the Visual Arts and a Felix Gilbert Member at the Institute for Advanced Study. Her publications include Weaving Sacred Stories: French Choir Tapestries and the Performance of Clerical Identity (2004) and articles in Art History, the Oxford Art Journal, Gesta, Studies in Iconography, The Art Bulletin, Art Journal and EMF: Studies in Early Modern France, as well as in numerous collections of essays.
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 2016 Cambridge hardcover edition. Light reading wear else very good condition. Contents: 1. 'vocamus personagias': the enlivened figures of ephemeral stagings; 2. 'ouvrez vos yeux et regardez': illuminated passion plays and the commemoration of performance; 3. 'faire semblant': make-believe and the experience of heroic battles; 4. 'cy s'ensuit le mystere': creating a spectator and a reader of french plays; 5. 'c'etait qu'un jeu industrieux': artifice and authenticity in the devil's play. Seller Inventory # JF-FAEQ-AYUF
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Hardcover. Condition: new. Hardcover. This book revives what was unique, strange and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Laura Weigert brings together a wealth of visual artifacts and practices to explore this tradition of late medieval performance located not in 'theaters' but in churches, courts, and city streets and squares. By stressing the theatricality rather than the realism of fifteenth-century visual culture and the spectacular rather than the devotional nature of its effects, she offers a new way of thinking about late medieval representation and spectatorship. She shows how images that ostensibly document medieval performance instead revise its characteristic features to conform to a playgoing experience that was associated with classical antiquity. This retrospective vision of the late medieval performance tradition contributed to its demise in sixteenth-century France and promoted assumptions about medieval theater that continue to inform the contemporary disciplines of art and theater history. French Visual Culture and the Making of Medieval Theater revives what was unique, strange, and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Weigert brings together a wealth of visual artifacts to explore this tradition of late medieval performance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781107040472
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Condition: New. This book revives the variety of performances that took place in the realms of the French kings and Burgundian dukes. Num Pages: 305 pages, 143 b/w illus. 8 colour illus. BIC Classification: 1DDF; 3H; ACK; AN; HBJD; HBLC1. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 253 x 177. . . 2015. Illustrated. hardcover. . . . . Seller Inventory # V9781107040472
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Hardback. Condition: New. This book revives what was unique, strange and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Laura Weigert brings together a wealth of visual artifacts and practices to explore this tradition of late medieval performance located not in 'theaters' but in churches, courts, and city streets and squares. By stressing the theatricality rather than the realism of fifteenth-century visual culture and the spectacular rather than the devotional nature of its effects, she offers a new way of thinking about late medieval representation and spectatorship. She shows how images that ostensibly document medieval performance instead revise its characteristic features to conform to a playgoing experience that was associated with classical antiquity. This retrospective vision of the late medieval performance tradition contributed to its demise in sixteenth-century France and promoted assumptions about medieval theater that continue to inform the contemporary disciplines of art and theater history. Seller Inventory # LU-9781107040472
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Hardcover. Condition: new. Hardcover. This book revives what was unique, strange and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Laura Weigert brings together a wealth of visual artifacts and practices to explore this tradition of late medieval performance located not in 'theaters' but in churches, courts, and city streets and squares. By stressing the theatricality rather than the realism of fifteenth-century visual culture and the spectacular rather than the devotional nature of its effects, she offers a new way of thinking about late medieval representation and spectatorship. She shows how images that ostensibly document medieval performance instead revise its characteristic features to conform to a playgoing experience that was associated with classical antiquity. This retrospective vision of the late medieval performance tradition contributed to its demise in sixteenth-century France and promoted assumptions about medieval theater that continue to inform the contemporary disciplines of art and theater history. French Visual Culture and the Making of Medieval Theater revives what was unique, strange, and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Weigert brings together a wealth of visual artifacts to explore this tradition of late medieval performance. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781107040472
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Condition: New. French Visual Culture and the Making of Medieval Theater revives what was unique, strange, and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Weigert brings together a wealth of visual arti. Seller Inventory # 31216889