How can we create musical sounds through computation? How can we represent, organize, and manipulate music compositions through digital means? How can computers perform music with expression and emotion? Can computers listen to music? Understand music? Compose music? These and many related questions are the subject of Computer Music research and practice. The book provides a comprehensive review of these topics. It explains how musical sounds and musical scores can be represented and manipulated digitally. Fundamentals of sampling theory, music theory, acoustics, perception, and programming provide foundations for practical instruction on using the Nyquist programming language to create music. Readers will learn how to construct software musical instruments, create scores, apply audio effects, and perform audio analyses.
For more information, please visit: https://compmus.com/icm
"synopsis" may belong to another edition of this title.
Roger B. Dannenberg is an Emeritus Professor of Computer Science, Art & Music at Carnegie Mellon University, Pittsburgh, USA, where he has taught for over thirty years, and a Fellow of the Association for Computer Machinery, awarded for contributions to the field of computer science through innovative computer music systems. A pioneer in the field, he is known for his work creating interactive automated computer accompaniment systems, leading to several patents. He is also co-creator of Audacity, a popular audio editor, and the designer of Nyquist, the language for sound synthesis and music composition featured in this book. As a trumpet player, he has performed jazz and electro-acoustic music around the world, including many of his own compositions. With Jorge Sastre, he composed the opera La Mare dels Peixos, and its English version The Mother of Fishes.
"About this title" may belong to another edition of this title.
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # L2-9781041322504
Quantity: Over 20 available
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # L2-9781041322504
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. How can we create musical sounds through computation? How can we represent, organize, and manipulate music compositions through digital means? How can computers perform music with expression and emotion? Can computers listen to music? Understand music? Compose music? These and many related questions are the subject of Computer Music research and practice. The book provides a comprehensive review of these topics. It explains how musical sounds and musical scores can be represented and manipulated digitally. Fundamentals of sampling theory, music theory, acoustics, perception, and programming provide foundations for practical instruction on using the Nyquist programming language to create music. Readers will learn how to construct software musical instruments, create scores, apply audio effects, and perform audio analyses.For more information, please visit: Explains how musical sounds and musical scores can be represented and manipulated digitally. Fundamentals of sampling theory, music theory, acoustics, perception, and programming provide foundations and practical instruction for using the Nyquist programming language to create music. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781041322504
Seller: California Books, Miami, FL, U.S.A.
Condition: New. Seller Inventory # I-9781041322504
Seller: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condition: new. Hardcover. How can we create musical sounds through computation? How can we represent, organize, and manipulate music compositions through digital means? How can computers perform music with expression and emotion? Can computers listen to music? Understand music? Compose music? These and many related questions are the subject of Computer Music research and practice. The book provides a comprehensive review of these topics. It explains how musical sounds and musical scores can be represented and manipulated digitally. Fundamentals of sampling theory, music theory, acoustics, perception, and programming provide foundations for practical instruction on using the Nyquist programming language to create music. Readers will learn how to construct software musical instruments, create scores, apply audio effects, and perform audio analyses.For more information, please visit: Explains how musical sounds and musical scores can be represented and manipulated digitally. Fundamentals of sampling theory, music theory, acoustics, perception, and programming provide foundations and practical instruction for using the Nyquist programming language to create music. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9781041322504
Quantity: 1 available
Seller: CitiRetail, Stevenage, United Kingdom
Hardcover. Condition: new. Hardcover. How can we create musical sounds through computation? How can we represent, organize, and manipulate music compositions through digital means? How can computers perform music with expression and emotion? Can computers listen to music? Understand music? Compose music? These and many related questions are the subject of Computer Music research and practice. The book provides a comprehensive review of these topics. It explains how musical sounds and musical scores can be represented and manipulated digitally. Fundamentals of sampling theory, music theory, acoustics, perception, and programming provide foundations for practical instruction on using the Nyquist programming language to create music. Readers will learn how to construct software musical instruments, create scores, apply audio effects, and perform audio analyses.For more information, please visit: Explains how musical sounds and musical scores can be represented and manipulated digitally. Fundamentals of sampling theory, music theory, acoustics, perception, and programming provide foundations and practical instruction for using the Nyquist programming language to create music. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781041322504
Quantity: 1 available
Seller: moluna, Greven, Germany
Condition: New. Roger B. Dannenberg is an Emeritus Professor of Computer Science, Art & Music at Carnegie Mellon University, Pittsburgh, USA, where he has taught for over thirty years, and a Fellow of the Association for Computer Machinery, awarded for contri. Seller Inventory # 3455977959
Quantity: Over 20 available
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Neuware. Seller Inventory # 9781041322504