The present book examines William Carlos Williams’s negotiation with cultural modes and systems of the Chinese landscape tradition in his landscape writing. Focusing on Walliams’s landscape modes of landscape with(out) infused emotions, the book builds a linkage between their interactions with Chinese landscape aesthetics and shows how these conversations helped shape Williams’s cross-cultural landscape poetics. The exploration of Williams’s experiment with the Chinese serene interplay of self and landscape, the interfusion of scene and emotion, an idea of seeing from the perspective of Wang Guowei’s theory of jingjie, and the poetic space of frustration and completion in the context of space and human geography, expand the understanding of a cross-cultural landscape tradition developed by Williams through bringing into focus the convergence of East-West poetics.
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Zhanghui Yang is Associate Professor of American Literature at Yunnan Normal University in China. He earned his doctorate from the University of Macau in 2021. His main research areas are China and modernism, and literature and geography, with a special focus on the interaction of Chinese classical landscape poetry and landscape writing in American modernist poetry.
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Paperback. Condition: new. Paperback. The present book examines William Carlos Williamss negotiation with cultural modes and systems of the Chinese landscape tradition in his landscape writing. Focusing on Walliamss landscape modes of landscape with(out) infused emotions, the book builds a linkage between their interactions with Chinese landscape aesthetics and shows how these conversations helped shape Williamss cross-cultural landscape poetics. The exploration of Williamss experiment with the Chinese serene interplay of self and landscape, the interfusion of scene and emotion, an idea of seeing from the perspective of Wang Guoweis theory of jingjie, and the poetic space of frustration and completion in the context of space and human geography, expand the understanding of a cross-cultural landscape tradition developed by Williams through bringing into focus the convergence of East-West poetics. The book explores Williamss cross-cultural landscape poetics by situating his oscillations between the landscape traditions of China and the West in Yips idea of negotiation. Williams attempts to blend the Chinese landscape aesthetics such as the interfusion of scene and emotion and the idea of seeing into his landscape writing This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781032578422
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