Heidi Craig demonstrates how dramatic and theatrical activity paradoxically thrived during the English theatre closures, 1642–1660.
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Heidi Craig is Assistant Professor of English at Texas A&M University, editor of the World Shakespeare Bibliography and co-editor of Early Modern Dramatic Paratexts. She is the recipient of fellowships from the Huntington Library, Newberry Library, and Folger Shakespeare Library.
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Paperback or Softback. Condition: New. Theatre Closure and the Paradoxical Rise of English Renaissance Drama in the Civil Wars. Book. Seller Inventory # BBS-9781009224055
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Paperback. Condition: New. Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the 'death' of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the receding theatrical past. Marketed in terms of novelty and nostalgia, plays unprinted before 1642 gained new life. Stationers also anatomized the whole corpus of English drama, printing the first anthologies and comprehensive catalogues of drama. Craig captures this crucial turning-point in English theatre history with chapters on royalist nostalgia, clandestine theatrical revivals, dramatic compendia, and the mysteriously small number of Shakespeare editions issued during the period, as well as a new incisive reading of Beaumont and Fletcher's A King and No King. Seller Inventory # LU-9781009224055
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Paperback. Condition: new. Paperback. Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the 'death' of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the receding theatrical past. Marketed in terms of novelty and nostalgia, plays unprinted before 1642 gained new life. Stationers also anatomized the whole corpus of English drama, printing the first anthologies and comprehensive catalogues of drama. Craig captures this crucial turning-point in English theatre history with chapters on royalist nostalgia, clandestine theatrical revivals, dramatic compendia, and the mysteriously small number of Shakespeare editions issued during the period, as well as a new incisive reading of Beaumont and Fletcher's A King and No King. For students and researchers of early modern drama, Shakespeare, book history and theatre history, this book unearths a wealth of dramatic activity during a period typically dismissed as a dramatic dead zone, showing how many scholarly practices can be traced back to the period itself. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781009224055
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