Synopsis
Floating Time: Chinese Prints, 1954-2002 brings together, for the first time, the University of Sydney Art Collection's ninty-three modern and contemporary Chinese prints. This substantial collection includes national prize-winning prints and works by internationally acclaimed artists, including Zhao Zongzao and Su Xinping. The half-century represented here reveals not only the development of the powerful woodcut tradition under Mao, but also the rapid expansion of printmaking as artists embraced a broader set of themes and more experimental techniques. Such developments reflect the tumultuous periods in which these works were produced and offer a unique and intimate glimpse into the lives of these fifty artists - a vastly different perspective from the familiar forms of contemporary Chinese art seen in better known international art circuits.
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About the Author
Stephen Whiteman is reader in the art and architecture of China at the Courtauld Institute of Art, University of London. He is the author of Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe (Washington, 2020) and the coauthor of Floating Time: Chinese Prints, 1954-2002 (Power Publications, Sydney, 2018). He is also the editor of Landscape and Authority in the Early Modern World (Pennsylvania, 2023) and the coeditor of Ambitious Alignments: New Histories of Southeast Asian Art, 1945-1990 (Power Publications, Sydney, 2018).
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Floating Time: Chinese Prints, 1954-2002
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Power Publications, Sydney, 2017
ISBN 10: 0994306466
ISBN 13: 9780994306463
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Floating Time : Chinese Prints, 1954-2002
Published by
Power Publications, Sydney, 2018
ISBN 10: 0994306466
ISBN 13: 9780994306463
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Floating Time (Paperback)
Published by
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ISBN 10: 0994306466
ISBN 13: 9780994306463
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Paperback. Condition: new. Paperback. Floating Time: Chinese Prints, 19542002 brings together, for the first time, the University of Sydney Art Collection's 93 modern and contemporary Chinese prints.One of only three major collections of twentieth-century Chinese prints in Australia, this substantial collection includes national-prize winning prints and works by internationally acclaimed artists, including Zhao Zongzao and Su Xinping.The half-century represented here reveals not only the development of the powerful woodcut tradition under Mao, but also the rapid expansion of printmaking as artists embraced a broader set of themes and more experimental techniques. Such developments reflect the tumultuous periods in which these works were produced and offer a unique and intimate glimpse into the lives of these fifty artists-a vastly different perspective from the familiar forms of contemporary Chinese art seen in better-known international art circuits.'This book presents readers with in-depth discussions on an array of fine modern Chinese prints in the University of Sydney Art Collection. The historical, social, and political contexts outlined by the authors offer fresh insight into this important collection.' Yin Cao, Curator, Chinese Art, Art Gallery of New South Wales Floating Time: Chinese Prints,19542002 brings together, forthe first time, the University ofSydney Art Collection's 93 modernand contemporary Chinese prints. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780994306463
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Floating Time : Chinese Prints, 1954-2002
Published by
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ISBN 10: 0994306466
ISBN 13: 9780994306463
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FLOATING TIME CHINESE PRINTS 1954-2002
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Floating Time (Paperback)
Published by
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ISBN 10: 0994306466
ISBN 13: 9780994306463
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Paperback. Condition: new. Paperback. Floating Time: Chinese Prints, 19542002 brings together, for the first time, the University of Sydney Art Collection's 93 modern and contemporary Chinese prints.One of only three major collections of twentieth-century Chinese prints in Australia, this substantial collection includes national-prize winning prints and works by internationally acclaimed artists, including Zhao Zongzao and Su Xinping.The half-century represented here reveals not only the development of the powerful woodcut tradition under Mao, but also the rapid expansion of printmaking as artists embraced a broader set of themes and more experimental techniques. Such developments reflect the tumultuous periods in which these works were produced and offer a unique and intimate glimpse into the lives of these fifty artists-a vastly different perspective from the familiar forms of contemporary Chinese art seen in better-known international art circuits.'This book presents readers with in-depth discussions on an array of fine modern Chinese prints in the University of Sydney Art Collection. The historical, social, and political contexts outlined by the authors offer fresh insight into this important collection.' Yin Cao, Curator, Chinese Art, Art Gallery of New South Wales Floating Time: Chinese Prints,19542002 brings together, forthe first time, the University ofSydney Art Collection's 93 modernand contemporary Chinese prints. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9780994306463
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Floating Time: Chinese Prints, 1954-2002
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Condition: New. Über den Autor Stephen H. Whiteman is lecturer in Asian art in the Department of Art History and associate curator for China projects for the Chau Chak Wing Museum at the University of Sydney. Minerva Inwald is a Ph. Seller Inventory # 899116617
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Floating Time: Chinese Prints, 1954-2002
Published by
Power Publications, Sydney, 2017
ISBN 10: 0994306466
ISBN 13: 9780994306463
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