In the 1880s, James McNeil Whistler revolutionized the way artists represented the city of Venice by producing images that moved away from the major tourist monuments to depict the squares, back alleys, and isolated canals that only residents knew. His novel approach inspired generations of printmakers who worked in Venice, and this book celebrates their work. Ernest David Roth (1879-1964) was one of the most significant American etchers of the first half of the 20th century, and his most important achievements are the views he did of Venice between 1905 and 1941. Roth and his friends John Taylor Arms and Louis Rosenberg formed the nucleus of a circle of American etchers that created a timeless vision of European and American cityscapes and landscapes in the 1920s and 1930s, and their Venetian views are at the center of their accomplishment.
"synopsis" may belong to another edition of this title.
Eric Denker is a senior lecturer at the National Gallery of Art, Washington, D.C.
"About this title" may belong to another edition of this title.
Seller: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
paperback. Condition: New. Brand New. Seller Inventory # 1547291
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Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. In the 1880s, James McNeil Whistler revolutionized the way artists represented the city of Venice by producing images that moved away from the major tourist monuments to depict the squares, back alleys, and isolated canals that only residents knew. His novel approach inspired generations of printmakers who worked in Venice, and this book celebrates their work. Ernest David Roth (1879-1964) was one of the most significant American etchers of the first half of the 20th century, and his most important achievements are the views he did of Venice between 1905 and 1941. Roth and his friends John Taylor Arms and Louis Rosenberg formed the nucleus of a circle of American etchers that created a timeless vision of European and American cityscapes and landscapes in the 1920s and 1930s, and their Venetian views are at the center of their accomplishment. Roth's most important achievements are the views he did of Venice between 1905 and 1941 Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780982615645
Seller: rareviewbooks, Kensington, MD, U.S.A.
Soft cover. Condition: Very Good. Oblong soft cover book (191 pages)illustrated with numerous sepia tone reproductions. Light rubbing on covers. Bookseller since 1995 (ULBDRM#3-R) rareviewbooks. Seller Inventory # RVB05111801
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Soft cover. Condition: Near Fine. Clean, unmarked, crease-free spine, small spot on lower front edge. else fine. B{/Printmaking/Venice. Seller Inventory # ABE-1753236189678
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. In the 1880s, James McNeil Whistler revolutionized the way artists represented the city of Venice by producing images that moved away from the major tourist monuments to depict the squares, back alleys, and isolated canals that only residents knew. His novel approach inspired generations of printmakers who worked in Venice, and this book celebrates their work.Ernest David Roth (1879-1964) was one of the most significant American etchers of the first half of the 20th century, and his most important achievements are the views he did of Venice between 1905 and 1941. Roth and his friends John Taylor Arms and Louis Rosenberg formed the nucleus of a circle of American etchers that created a timeless vision of European and American cityscapes and landscapes in the 1920s and 1930s, and their Venetian views are at the center of their accomplishment. Seller Inventory # LU-9780982615645