Zines, Vol. Two has been used as a textbook in
university classes for cultural studies, journalism, and media
criticism. It includes a fantastic, in-depth interview with
Dishwasher Pete, whose goal was to wash dishes in every state of
America. Keffo of Temp Slave talks about very funny pranks on the job,
and advocates restoring the I.W.W. (International Workers of the World).
McJob continues the analysis of the workplace and its perils. John Marr
discusses his favorite bizarre murders in Murder Can Be Fun.
A history of proletarian novels is featured, plus reviews of many
independent publications.
"synopsis" may belong to another edition of this title.
Johnny Brewton, interviewee:
Precursors of the current zine explosion include allpublications classed as “proletarian”: novels, nonfiction, short stories,magazines, pamphlets, poetry, plus related genres such as tough-guy,freak/carnival/sideshow books, writing by people of color, early feminist writing—inshort, all the voices of the social underclass. (from essay)
Excerpt from Bruno Richard:
Q: Did you make any money off your publishing?
A: A little bit, but it was never enough. Over the past 20years we managed to produce 45 books. Recently somebody asked me if I’d like todo a book with them for no money, just a copy of the book, and I agreed. That’soften the way it works. All the books are different—we change the size, thetype, the topic, every time. It’s all done just to do something before dying.It’s more interesting to do something when you’re alive than just living!
Q: Well, one of your rewards is meeting people all over theworld—
A: Everybody I ever liked, I would send them a free copy ofmy book. I would write, “I like what you do very much. This is what I do. Isthere something you could send me in exchange so I could see more of your work,because it is not readily available to me?” When I travel, I look at magazinesand find things that interest me; then I try and meet the people who producedthem…
I draw three to five hours every morning before I go to work(4:30-9:00 AM) and sometimes I draw at bedtime if I’m alone. That’s all I cando. For me, work is a kind of “regularization”—if I didn’t work and stayedalone in my room drawing all day like a monk—! That’s why I need a regular job,and that’s why I hate weekends! Besides, my job pays for all my publishing…
I like to destroy pictures. Often, I’ll find a photographand then redo it in a drawing my way—only then am I completely satisfied. Whensomething touches me, like a photo of a girl—even if she’s not nude, I’ll makeher nude. When I find a picture that touches me very much, I’ll do it my way,like “Guernica” was for Picasso…
My drawings depict the awfulness and comedy in this world,like George Grosz who did biting drawings of the bourgeois, the military,prostitutes, etc… I also show the bad side, the dark side of “true love”because I don’t think true love exists!
"About this title" may belong to another edition of this title.
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