Threads of Lace from Source to Sink is an exploration of the various threads used in hand and machine lacemaking from their living or non-living origins (source) to the effect of the chemical nature and physical structure of their fibres on the texture and other characteristics of the final lace (sink). 108 pp. 16 colour illustrations. 128 black and white photographs, 20 line drawings. Paperback.
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. . Pat Earnshaw is well known as an authority and lecturer on lace . . a fascinating selection of photographs, prints, drawings and charts -- Laura Ponsonby, Textile Society Journal, 1992
. . differs from most, if not all, books on lace in dealing with the raw material the the lacemaker - the thread . . -- Ann Duke, Guild of Needle Laces, Spring/Summer, 1989
. . does an excellent job of relating technical information about fibres to practical situations for the lace enthusiast . . -- Judith Brandau, Lace and Crafts (USA), vol.4, no.2, Summer 1991
. . immense amount of information packed within these covers . . the excellent index makes searching the text easy -- J.W.Farrell, Textile History 23 (2), 1992
. . this vast subject is well summarised and presented with clarity . . a book of interest and help to lacemakers and collectors . . -- Santina Levey, CIETA Bulletin, no.67, 1989
'Is it cotton or linen?' is a commonly asked question when a piece of lace is examined for identification purposes. This is not idle curiosity: cotton could not be spun sufficiently smoothly or strongly for lace making until the beginning of the 19th century. The use of cotton therefore distinguishes a possibly antique lace from one no more than 100 years old. Thread can give considerable help in identifying a lace. Even oddities such as laces made of spider silk, pigs bristles, horsehair, human hair, aluminium, clinquant, pineapple, sweet pea or Solomon's Seal fibres are linked to specific times and places. The answers to this and many other puzzles are in this book.
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Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0951389114I5N00
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0951389114I5N00
Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Seller Inventory # rev4225972545
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Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
paperback. Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind. Seller Inventory # rev2263065508
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Seller: Cherubz Books, York, United Kingdom
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Seller: Antiquariat Held, Stuttgart, Germany
Mit 17 farb. Abb. auf 4 Tafeln, ca. 116 Abb., einigen, tls. mehrtlg. Illustr. u. 1 Diagramm. 2 Bl., 108 S. Gr. 8°. Illustr. OBrosch., diese etwas angerändert u. geknickt. Der obere Schnitt mit winzigem Fleck, sonst gutes Exemplar. (360 Gr.) Mit handschriftlicher Signatur der Autorin. Sprache: englisch. Seller Inventory # 19911AB