Between 1896 and 1906, Charles Rennie Mackintosh (1868-1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. David Brett argues that Mackintosh’s originality was grounded in a highly subjective ‘poetics of workmanship’, in which the structure, features, interiors and furnishings of each individual building became subject to a unifying system of forms, metaphors and unconscious associations. The system Mackintosh evolved allowed the formulation of an almost infinite series of ensembles. After focusing on the various decorative details and interior spaces of Mackintosh's buildings the author reaches to the heart of Mackintosh's poetic system – the suffused eroticism of the sleek, ‘feminine’ and intensely private ‘white interiors’. A notable feature of this persuasive reappraisal of Mackintosh’s work is the wealth of photographs by the author showing rarely featured details of buildings, interiors and furnishings.
"synopsis" may belong to another edition of this title.
David Brett is Reader Emeritus in Design History at the University of Ulster, based at the School of Art and Design in Belfast.
"About this title" may belong to another edition of this title.
Seller: Phatpocket Limited, Waltham Abbey, HERTS, United Kingdom
Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-C-088-07515
Quantity: 1 available