Synopsis
This is the first study to investigate the sources of the creative processes in the painting of Kazimir Malevich, from Neo-Primitivism to Suprematism, 1911-1920. These sources are found in 19th century scientific investigations into optics, especially those of Hermann von Helmholtz, the artist adapting the laws of optical light and colour and the laws of optical structures of seeing in space and in depth to his painting. Malevich’s creative processes culminated in his non-objective canvases, Suprematism, between 1915 and 1920, the painting of pure seeing.
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About the Author
Patricia Railing (PhD, University of Paris ,Sorbonne, Philosophy of Art) is an art historian specialising in both the Russian Avant-Garde and the history of artists' pigments. She has compiled this collection, Colour Palettes, from treatises, 1st century B.C. to the 19th century, which culminates in the Documentary Dictionary of Historical Pigments. The series is complemented by a website, www.painterspalettes.net.
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Hardcover. Condition: new. Hardcover. This is the first study to investigate the sources of the creative processes in the painting of Kazimir Malevich, from Neo-Primitivism to Suprematism, 1911-1920. These sources are found in 19th century scientific investigations into optics, especially those of Hermann von Helmholtz, the artist adapting the laws of optical light and colour and the laws of optical structures of seeing in space and in depth to his painting. Malevich's creative processes culminated in his non-objective canvases, Suprematism, between 1915 and 1920, the painting of pure seeing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780946311217
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