Sharon Lockhart's photographs and films frame the quiet moments and details of everyday life, exploring the subtle relationships between photography and cinema. Much of her photographic work over the past six years has relied on the staging of scenes characteristic of filmmaking; her work has also treated issues of time, sequence and narrative in a style reminiscent of Conceptual art. Lockhart's films emphasize the photographic basis of the moving image, often using a fixed perspective to capture unexpected movements and human reactions in a given situation. This catalogue documents the largest and most significant solo exhibition of Lockhart's work in an American museum to date, and focuses on Lockhart's photographic and cinematic work since 1994, including her major film projects Goshogaoka (1997) and Teatro Amazonas (1999). Also featured are essays by curator Dominic Molon and art historian Norman Bryson, focusing on Lockhart's rereading of conceptual photography, and her complex approach to narrative and the gaze.
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Sharon Lockhart's photographs and films frame the quiet moments and details of everyday life while exploring the subtle relationships between photography and cinema. Much of her photographic work since 1994 has relied on the staging of scenes characteristic of filmmaking, or has investigated issues of time, sequence and narrative in a manner reminiscent of conceptual art. Lockhart's films emphasise the photographic basis of the moving image, often using a fixed perspective to capture unexpected movements and human reactions in a given situation. With essays by Dominic Molon (who concentrates on the artist's transformation of conceptual photography) and art historian Norman Bryson (who presents a compelling examination of Lockhart's nuanced approach to narrative and the gaze), this richly illustrated volume focuses on Lockhart's photographic and cinematic work since 1994, including her major film projects Goshogaoka (1997) and Teatro Amazonas (1999).
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Hardcover. Condition: Near Fine. 1st. Pictorial boards, 112 pages, colour illustrations; 26 x 27 cm. Published in conjunction with an exhibition held at the Museum of Contemporary Art, Chicago, March 3 to May 30, 2001. Near fine. Firm binding, clean inside copy. Light shelfwear to boards. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This catalogue documents the largest and most significant solo exhibition of Lockhart's work in an American museum to date, organized by the Museum of Contemporary Art, Chicago (MCA). With essays by MCA curator Dominic Molon, who concentrates on the artist's transformation of conceptual photography and structuralist film, and art historian Norman Bryson, who presents a compelling examination of Lockhart's nuanced approach to narrative and the gaze, this richly illustrated volume focuses on Lockhart's photographic and cinematic work since 1994, including her major film projects Goshogaoka (1997) and Teatro Amazonas (1999)." - Publisher. *** CONTENTS: The Delicate Structure of the Everyday, by Dominic Molon; From Form to Flux, by Norman Bryson. Size: 4to. Collectible. Seller Inventory # 201060
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