In 1998 Dzawada'enuxw artist Marianne Nicholson scaled a vertical rock face in Kingcome Inlet to paint a 28- by 38-foot pictograph to mark the continued vitality of her ancestral village of Gwa'yi. Two Wolves at the Dawn of Time is the story of that painting - and of earlier politically defiant rock art and the "coppers," ceremonial shields that are a central motif in many of these images. Often defined simply as currency by Europeans, the coppers represent much more. The Dzawada'enuxw never stopped potlatching, trading coppers, or creating pictographs, not even in the face of the government's attempt to move them from their ancestral villages and force their assimilation into settler society. Judith Williams tracks an amazing history of a culturally and geographically rich locale at a flashpoint in Native-white relations. Fighting recalcitrant weather, water and vessels, she investigates various forms and eras of rock art around Kingcome Inlet, explores the disintegrating old Halliday homestead, and plumbs the archives to measure colonialism's persistent legacy. Documenting Nicholson's painting of the giant new pictograph that contains the image of origin figure Kawadilikala, the Wolf, Williams provides a firsthand look into the remarkable symbiosis of old and new that has seen Gwa'yi and the Kwakwaka'wakw prevail against all attempts to eradicate their culture.
Visual artist and writer JUDITH WILLIAMS is intimately familiar with the Kingcome Inlet and Refuge Cove areas of BC's coast, where she spends her summers. She has exhibited at UBC's Museum of Anthropology and at the Vancouver Art Gallery. The author of two previous books, High Slack and Dynamite Stories, she taught painting, drawing and theory in UBC's Fine Arts Department until retirement in 1998 freed her to sail BC's fjords at will.
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Seller: Zoom Books East, Glendale Heights, IL, U.S.A.
Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. Seller Inventory # ZEV.0921586841.VG
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00105180297
Seller: Zoom Books Company, Lynden, WA, U.S.A.
Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. Seller Inventory # ZBV.0921586841.VG
Seller: World of Books Inc, Montgomery, IL, U.S.A.
Paperback. Condition: Good. In 1998, Dzawada'enuxw artist Marianne Nicholson scaled a vertical rock face in Kingcome Inlet to paint a massive pictograph to mark the continued vitality of her ancestral village of Gwa'yi. Two Wolves at the Dawn of Time is the story of that painting, of earlier politically defiant rock art, and of "coppers," ceremonial shields that are a central motif in these images. Judith Williams tracks the history of a culturally and geographically rich locale at a flashpoint in Native-white relations. She investigates the rock art around Kingcome Inlet, explores the disintegrating Halliday homestead, and plumbs the archives to measure colonialism's legacy. Documenting Nicholson's painting of the new pictograph, Williams describes the symbiosis of old and new that has seen Gwa'yi and the Kwakwaka'wakw prevail despite all attempts to eradicate their culture. Seller Inventory # CIN0921586841G
Seller: HPB Inc., Dallas, TX, U.S.A.
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_477097804
Seller: Half Price Books Inc., Dallas, TX, U.S.A.
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_450975729
Seller: Reuseabook, Gloucester, GLOS, United Kingdom
paperback. Condition: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Damaged cover. The cover of is slightly damaged for instance a torn or bent corner. Seller Inventory # CHL10761103
Quantity: 1 available
Seller: Wagon Tongue Books, Linden, AB, Canada
Soft cover. Condition: Near Fine. B/W Photographs (illustrator). First Edition. SUBTITLED ; ` Kingcome Inlet Pictographs, 1893 - 1998 '. In June of 1998, Marianne Nicholson hatched a plan to add a modern pictograph to an ancient rock wall near.Meetup Indian Reserve - up the coast from Vancouver. The new images and some from circa 1781 are meant to depict the longevity of the Gwa 'yi peoples. LEARN more about : Green Point Rapids, Rivers Inlet, Namu, Burke Channel, coppers, carver, pigment, saliva, A-we-glise, Omath the Raven, Bella Bella, Nimpkish people, and Charles Creek slide. Text well completed by both modern and archival b/w photographs. B/W map ahead of table of contents. INDEX at end of these 240 pages. Cond : Paper wrapper is white and brown witjh lettering similar. Cover photo shows pictographs of `coppers- - circa 1930. Volume is tight, bright, square, and clean. No names nor marks. Giftable ! ! Quote (p. 104) " ._._. too small to support them. The Kingcome preemptions alienated the Dzawada' enuxw from traditional waterfowl, spring bank clover, and silverweed areas. Settlers cut dowm ._._._. ." Size: 8vo. Seller Inventory # 013110
Seller: RareNonFiction, IOBA, Ladysmith, BC, Canada
Paperback. Condition: Good. First Edition. "Documents the creation of a new pictograph by artist Marianne Nicolson at a traditional Dzawada'enuxw rock art site four miles down the Kingcome River from Gwa'yi village, and the relationship of this work to one by Mollie Wilson at Petley Point in 1927, which commemorated a potlatch that took place during the period when Canada's Department of Indian Affairs had banned Native ceremonials." - back cover. 240 pages. Index. Bibliography. Footnotes. Black and white reproductions of archival photos. Tight, clean and unmarked with moderate wear. Trivial moisture exposure to top edge. A sound example of this fascinating account. ; 8vo. Seller Inventory # 166j2281