The medieval reading process was unusually multi-faceted, and can surprise the modern reader by offering an alternative grid or map of a text we believe we know well -- one that cuts across or unsettles familiar stereotypes we all hold. These essays were collected together to offer practical, manuscript-based studies of medieval reading habits in use.
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Maidie Hilmo, an affiliate of the University of Victoria, is the author most recently of Medieval Images, Icons, and Illustrated English Literary Texts: From the Ruthwell Cross to the Ellesmere Chaucer. She is coeditor with Kathryn Kerby-Fulton of The Medieval Professional Reader at Work: Evidence from Manuscripts of Chaucer, Langland, Kempe, and Gower and The Medieval Reader: Reception and Cultural History in the Late Medieval Manuscript.
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