Paul Schimmel
"synopsis" may belong to another edition of this title.
Robert Rauschenberg's "Combines" focuses on the Combines created roughly between 1954 and 1964, the most important decade in the artist's 50-year career. The most complete survey of these works ever mounted, the exhibition will feature close to eighty key works drawn from major collections. Poetic and lush, The Combines present layers of complex and sometimes conflicting information. This prescient approach has become increasingly relevant in the current age of cascading information, when even the most groundbreaking artists are referencing and sampling disparate elements to create new forms. The Combines suggest the fragility of definitions, the fluidity of materials, and the complexity of forms that is characteristic of Rauschenberg's works. The artist's handling of materials provides a precise physical evolutionary link between the painterliness of "Abstract Expressionism" and the iconographical, subject-driven qualities of early Pop Art. This publication constitutes the most complete survey of the combines ever presented, as well as the most rigorous analysis of their political, social, autobiographical, and aesthetic significance.
An introductory essay by exhibition curator, Paul Schimmel titled "Reading Rauschenberg" offers an iconographic analysis of the earlier Combines (1955 - 59) based on in-depth conversations with the artist. Thomas Crow's essay addresses the Combines as the major artistic statement of their time, the one body of art that could simultaneously hold its own with the leading art of older peers like de Kooning and prevail against the coming wave of pop painting centered on the reproductive image. Branden Joseph's text deals with some of the lesser known Combines and reconsiders their original critical reception through the contemporary critical filter of the simulacrum. Charles F. Stuckey traces the lineage of the Combines through early twentieth-century movements, including Surrealism and Dada. And Jean-Paul Ameline looks at the impact of the Combines on European art. The book will also feature an afterword by Pontus Hulten."About this title" may belong to another edition of this title.
Seller: Maxwell's House of Books, La Mesa, CA, U.S.A.
Soft cover. Condition: Near Fine. 1st Edition. A beautiful crisp, clean uncracked softcover in near fine condition, faint shelfwear to extremities. Seller Inventory # 056895
Seller: Winged Monkey Books, Arlington, VA, U.S.A.
Large softcover, very good with slight shelf wear, edge wear. Illustrated. Seller Inventory # 030366
Seller: Design Books, New York, NY, U.S.A.
Soft Cover. Condition: Near Fine. First Edition. This is a near fine softcover copy with almost no wear. Completely clean inside and out. Stated first edition. This catalog was prepared to accompany the traveling exhibition that started at the Metropolitan Museum of Art in New York from December 2005 to April 2006. After that the exhibition went to the Museum of Contemporary Art in Los Angeles, and the Centre Georges Pompidou in Paris, and finally the Moderna Museet in Stockholm from February to May of 2007. Exhibition organized by Paul Schimmel. Essays by Charles Stuckey, Thomas Crow, Branden W. Joseph, and Schimmel. Afterword by Pontus Hulten. Illustrated with many color plates. Inventory and Exhibition History of Combines. Bibliography. 12" high X 10" wide, 312 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and shipped with tracking. Seller Inventory # 014871
Seller: PSBooks, Palm Springs, CA, U.S.A.
Soft cover. Condition: Very Good. 1st Edition. White pictorial wraps, soft cover with Rauschenberg portrait. Light pencil marks on free endpaper. Seller Inventory # 003435
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition. First edition. Softcover. 316 pages. Exhibition catalog for a traveling show that ran December 20, 2005 through April 2, 2006 in New York, May 21 through September 11, 2006 in Los Angeles, October 25, 2006 through January 21, 2007 in Paris,and February 17 through May 6, 2007 in Stockholm. Essays by Thomas Crow, Branden W. Joseph, Paul Schimmel and Charles Stuckey. Afterword by Pontus Hulten. Includes numerous color and black and white illustrations and an inventory and history of Combines compiled by Mary Beth Carosello. A tight very near fine copy in wrappers. Seller Inventory # 211530
Seller: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
Paperback. Condition: Very Good. First edition. 31 x 24.5 cm. Quarto. 318pp. Top corner is bumped. Published on occasion of the exhibition organized by Paul Schiummel for The Museum of Contemporary Art, Los Angles, held their 21 May - 11 September 2006 and alos at The Metropolitan Museum of Art, New York, 20 December 2005 - 2 April 2006, Musee national d'art moderne, Centre Georges Pompidou, Paris, 25 October 2006 - 21 January 2007 and Moderna Museet, Stockholm 17 February - 6 May 2007. Seller Inventory # 68987
Seller: Russ States, Oil City, PA, U.S.A.
Soft Cover. Condition: Very Good. No Jacket. (2005), 318pp, illus., light rubbing & shelfwear to cover, contents clean & unmarked. Seller Inventory # 21-0378
Seller: Amazing Books Pittsburgh, Pittsburgh, PA, U.S.A.
paperback. Condition: Very Good. Unmarked, interior clean, art vivid and bright. Covers with minor shelf-wear. "First edition 2005" Paperback. (1HDL). Seller Inventory # D26268
Seller: SatelliteBooks, Burlington, VT, U.S.A.
paperback. Condition: Softcover. Softcover. New, unused. Minor shelf-wear. For any additional information or pictures, please inquire. Seller Inventory # 250218009
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 11208410-6