"Sol LeWitt: The Well-Tempered Grid" is the first exhibition to focus on the centrality of the grid in LeWitt's art. The exhibition focuses on LeWitt's use of the grid as a generative matrix for his artistic production over the span of nearly five decades, from 1960 until his death in 2007. Inspired by his first encounter with the work of photographer Eadweard Muybridge in the late 1950s, LeWitt began experimenting with a loosely structured grid in several large oil paintings of 1960, based on the Muybridge motif of a running man. By 1962 he had simplified his use of this format to exclude figurative elements, and by 1964 he was making his first wall-mounted grid structures. When LeWitt made his first wall drawings in 1968 he used the grid as the underlying structural principle. Thereafter, grids became a pervasive matrix in all of the media in which LeWitt worked--three-dimensional "structures," drawings and gouaches on paper, photographic cycles, artist's books, furniture and wall drawings. Fully illustrated with 95 color images (and a plate section), the book includes three essays, including Charles W. Haxthausen on LeWitt's relationship to the grid and classical music, especially Bach; Christianna Bonin on LeWitt's relationship to Richard Serra and the wall drawing; and Erica DiBenedetto on LeWitt's 1980 artist's book, "Autobiography," a publication consisting solely of 1,101 photographs of LeWitt's New York studio, organized over 128 pages in nine-part grids.
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Seller: Big Star Books, Santa Fe, NM, U.S.A.
paperback. Condition: Good. Clean, unmarked, tightly bound. Moderate exterior wear. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.). Seller Inventory # AD1258
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 15018935-6
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Paperback. Condition: Very Good. "This catalogue is published in conjunction with the exhibition Sol LeWitt: the well-tempered grid, Williams College Museum of Art, Williamstown, Massachusetts, September 15-December 9, 2012.". Seller Inventory # 00106121778
Seller: Roundabout Books, Greenfield, MA, U.S.A.
paperback. Condition: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders. Seller Inventory # 1784279
Seller: Cottage Street Books, Greenwich, NY, U.S.A.
Soft cover. Condition: New. 2013. Williams College Museum of Art. 4to. Softcover. New. Still in original plastic wrap. Seller Inventory # K6687
Seller: Edward Ripp: Bookseller, Albuquerque, NM, U.S.A.
Paperback. Condition: New in Shrink-Wrap. NEW IN SHRINK-WRAP. 4to, 120 pp, new in stiff wraps. Lavishly illustrated in color and b&w. Includes an exhibition checklist. Uncommon. Seller Inventory # 12671
Seller: Boswell's Books, Shelburne Falls, MA, U.S.A.
paperback. Condition: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders. Seller Inventory # 1784279
Seller: Rainy Day Paperback, Bethel, CT, U.S.A.
oversize glossy paperback. Condition: Near Fine. Sol Lewitt (illustrator). Crisp, clean interior pages with full color photos free of any markings. Light shelf wear to edges of covers. 120 pages; 10.5" x 9.5'' - Sol LeWitt: The Well-Tempered Grid is the first exhibition to focus on the centrality of the grid in LeWitt's art. The exhibition focuses on LeWitt's use of the grid as a generative matrix for his artistic production over the span of nearly five decades, from 1960 until his death in 2007. Inspired by his first encounter with the work of photographer Eadweard Muybridge in the late 1950s, LeWitt began experimenting with a loosely structured grid in several large oil paintings of 1960, based on the Muybridge motif of a running man. By 1962 he had simplified his use of this format to exclude figurative elements, and by 1964 he was making his first wall-mounted grid structures. When LeWitt made his first wall drawings in 1968 he used the grid as the underlying structural principle. Thereafter, grids became a pervasive matrix in all of the media in which LeWitt worked--three-dimensional "structures," drawings and gouaches on paper, photographic cycles, artist's books, furniture and wall drawings. Fully illustrated with 95 color images (and a plate section), the book includes three essays, including Charles W. Haxthausen on LeWitt's relationship to the grid and classical music, especially Bach; Christianna Bonin on LeWitt's relationship to Richard Serra and the wall drawing; and Erica DiBenedetto on LeWitt's 1980 artist's book, Autobiography, a publication consisting solely of 1,101 photographs of LeWitt's New York studio, organized over 128 pages in nine-part grids. Seller Inventory # C2-Y11
Seller: Lorrin Wong, Bookseller, Los Angeles, CA, U.S.A.
Essays by Christiana Bonin & Erica Dibenedetto, 120 pages, illustrated. A clean fine paperback exhibition catalog in decorative wrappers (soft cover book). Seller Inventory # 2020457
Seller: Walden Books, London, United Kingdom
Paperback. Condition: Very Good. Stiff card wrappers, marked, front wrapper a little bent and won't lie flat. Text clean, colour plates and b&w photographs, no ownership marks, binding tight.; 10.5 X 9.4 X 0.4 inches; 120 pages. Seller Inventory # 37526