A View of Early Typography has long been regarded as the classic text on the production and use of type in the first 150 years of printing. By focusing on type, Harry Carter goes to the heart of design, the point at which the material processes of printing meet the intellectual concerns of publishers and the nature of the texts they publish. Among the topics covered: the diversity of letterforms (blackletter, roman, italic, and more); the tensions between Latin and the vernacular languages; and the establishment of standards of norms in type design. This is a facsimile of the original edition, of 1969, augmented by a new introduction in which James Mosley explains the significance of the book and gives a short account of Carter's life and work.
"synopsis" may belong to another edition of this title.
in-8, broché, couv. illustrée à rabats, 22-XII-137 pp., 84 figures hors-texte, index. Reprinted with an introduction by James Mosley. Très bon état.
A text on the production and use of type in the first 150 years of printing. By focusing on type, Harry Carter goes to the heart of design, the point at which the material processes of printing meet the intellectual concerns of publishers and the nature of the texts they publish. Among the topics covered are: the diversity of letterforms (blackletter, roman, italic and more); the tensions between Latin and the vernacular languages; and the establishment of standards and norms in type design. This is a facsimile of the original edition of 1969, augmented by a new introduction in which James Mosley explains the significance of the book and gives a short account of Carter's life and work.
"About this title" may belong to another edition of this title.
Seller: Leura Books, Bowral, NSW, Australia
Softcover. Condition: Very Good. Reprinted with an Introduction by James Mosley. View of Early Typography has long been regarded as the classic text on the production and use of type in the first 150 years of printing. By focusing on type, Harry Carter goes to the heart of design, the point at which the material processes of printing meet the intellectual concerns of publishers and the nature of the texts they publish. Among the topics covered: the diversity of letterforms (blackletter, roman, italic, and more); the tensions between Latin and the vernacular languages; and the establishment of standards of norms in type design. This is a facsimile of the original edition, of 1969, augmented by a new introduction in which James Mosley explains the significance of the book and gives a short account of Carter's life and work. 137 pages. Foxing to outer page edges. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: History; History; Art. ISBN: 0907259219. ISBN/EAN: 9780907259213. Inventory No: 279260. Seller Inventory # 279260
Quantity: 1 available
Seller: Sheapast Art and Books, Sherman Oaks, CA, U.S.A.
Soft cover. Condition: Near Fine. A View of Early Typography: Up to About 1600 BY Harry Carter, softcover, illustrated Hyphen Press, 2002 DGRAY3. Seller Inventory # BX19-20
Seller: Green Apple Books and Music, San francisco, CA, U.S.A.
Paperback. Condition: Very Good. A near fine copy of this, but for a very small stain on the top corner of the last ~25 pages. Green Apple Books and Music, Publisher Weekly's Bookstore of the Year 2014, has been San Francisco's favorite independent bookseller since 1967! Shipping costs on oversize / international orders will reflect actual shipping charges and may be more than quoted by ABE. We will need to contact you with true shipping costs and ask for authorization before adjusting cost. Seller Inventory # mon0000010212
Seller: The Book Spot, Sioux Falls, MN, U.S.A.
Paperback. Condition: New. Seller Inventory # Abebooks194471
Seller: The Book Spot, Sioux Falls, MN, U.S.A.
Condition: New. Seller Inventory # EZ172863