Synopsis
"The phenomenon of the late late Sixties and early Seventies, [when a brilliantly wrought, personal film like The Godfather became a worldwide box-office smash] transformed the American cinema. A new flexibility was discernible in the type and style of movie being made.---Diane Jacobs writes about these developments with more than mere enthusiasm ; she brings to life movies like, Nashville, The Rain People, Taxi Driver and Next Stop Greenwich Village and analyses their aesthetic as well as their social importance."
"synopsis" may belong to another edition of this title.
