The collection's cornerstones are two rhapsodies - long poems which combine the richness of a novel, the intimacy of a lyric, and the immediacy of a performance. At the climax of the first, the poet meets his double, a dying boy whose shameful moniker is "Baldie." As if in response to this explosive confrontation, the poet dares to write a second, wilder "Rhapsody" - a confessional, improvisatory fantasia, virtually a book in itself, where abjection blossoms into formally-innovative extravagance.
Three sequences complete the collection: "Piano Life," a series of haunted meditations on music and mortality; "Erotic Collectibles," a disarmingly unsentimental account of sexual awakening; and "Star Vehicles," in which the poet sees his perplexities reflected in Bette Davis, Sophia Loren, Ida Lupino, and other leading ladies.
"synopsis" may belong to another edition of this title.
Wayne Koestenbaum is Associate Professor of English at Yale.
"About this title" may belong to another edition of this title.
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