This is a thought-provoking collection of essays on art history and criticism - written by scholars from numerous disciplines. Almost everything we know about the past comes from physical and narrative fragments. Yet a fragment is not simply a static part of a once-whole thing. It is itself something in motion over time, manifesting successively as object, evidence, concept, and condition. This volume brings together a number of essays - written by scholars of the arts, art history, archaeology, literature, philosophy, psychology, numismatics, and film - investigating the significance of the fragment. Each essay offers a meditation on a distinctive moment in the history of the fragment, ranging from spoila in late antique architecture to the practice of collage in the modern period. Complementing these is a visual essay by renowned English sculptor and installation artist Cornelia Parker, whose oeuvre contemplates not only the power of relics but also the meaning of found objects turned into art.
"synopsis" may belong to another edition of this title.
William Tronzo has held research appointments at numerous prominent institutions, including the American Academy in Rome and Stanford Humanities Centre.
"About this title" may belong to another edition of this title.
£ 21.46 shipping from U.S.A. to United Kingdom
Destination, rates & speedsSeller: David's Books, Ypsilanti, MI, U.S.A.
Hardcover. Condition: Very Good+. Top corner bumped else as new; Issues & Debates. Seller Inventory # 1000137044
Quantity: 1 available