This anthology was created to raise the profile of community cultural development practice around the world by offering a rich mixture of experiences, ideas and stories that demonstrate the validity of this work as a stimulus to pluralism, participation and equity in cultural life, and as a response to globalization's pull toward the standardization of commercial culture. Contents: Introduction by Tomas Ybarra-Frausto; 1. Community, Culture and Globalization by Don Adams and Arelene Goldbard (Editors); 2. Huehuepohualli: Counting the Ancestors' Heartbeat by Martha Ramirez Oropeza; 3. Art and Community: Feeding the Artist, Feeding the Art by Liz Lerman; 4. Small Media, Big Potential! by Nitin Paranjape; 5. Oral History: Art and Praxis by Mary Marshall Clark; 6. Birth of a Movement by Judith F. Baca; 7. Cultural Entrepreneurship: From Cosmology to Market by Munira Sen; 8. Let's Get Digital: Using Multimedia and the Internet in Community Cultural Development by Tony Stanley; 9. Digital Diaspora: Young People, Technology and Contested Spaces by Gary Stewart; 10. Full Faith and Credit by Dee Davis; 11. Protest or Participate? Community Cultural Development and Globalization in Australia by Sarah Moynihan and Norm Horton; 13. Community Cultural Development, Cultural Policy Networks and Culturelink by Nina Obuljen; 13. Theater of the Oppressed and Community Cultural Development by Barbara Santos; 14. The Challenge of Global Perspectives on Community Theater in Malawi and Botswana by David Kerr; 15. Culture as the Basis for Development by Masitha Hoeane; 16. Real Social Ties? The Ins and Outs of Making Theater in Prisons by Paul Heritage; 17. Sweet Honey Kill Fly: Vietnamese Youth Media by Tony Le Nguyen; 18. Different Art Forms, Mutual Concerns by Iman Aoun; 19. Imagined Communities: PETA's Community, Culture and Development Experience by Maribel Legarda; 20. Theater, Migrant Workers and Globalization: The Hong Kong Experience by Mok Chiu Yu
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