Milton Acorn remains one of the most important Canadian poets of the 20th century. This new volume solidifies Acorn's reputation and confirms his place in Canadian literature. As the editor James Deahl asserts in his introduction, Milton Acorn's poetry stands among the most challenging work produced during the last half of the twentieth century. His ability to see connections between a strange assortment of things is striking. And the reader is called up to be as agile as the poet in jumping from one idea to another. Acorn remains a conundrum for many. He was both a communist and a traditional conservative, not at different times, but at the same time. He was awarded an honorary Doctor of Laws degree from the University of Prince Edward Island at the same time as the Rt Hon John Diefenbaker, former Prime Minister of Canada, received his. Acorn read deeply and widely, and in his personal library the poet had the complete works of George Grant and many volumes of the works of Stalin.
"synopsis" may belong to another edition of this title.
James Deahl was Acorn's long-time friend, an accomplished poet, essayist and publisher in his own right.
Foreword, by Terry Barker,
Editor's Introduction,
A Note on the Text,
poems from In Love and Anger, 1956,
poems from Against a League of Liars, 1960,
poems from The Brain's the Target, 1960,
poems from Jawbreakers, 1963,
poems from I've Tasted My Blood: Poems 1956 to 1968, 1969,
poems from More Poems for People, 1972,
poems from The Island Means Minago, 1975,
poems from Jackpine Sonnets, 1977,
poem from Captain NealMacDougal & The Naked Goddess, 1982,
poems from Dig Up My Heart: Selected Poems 1952-83, 1983,
poems from Whiskey Jack, 1986,
poem from A Stand of Jackpine, 1987,
poems from The Uncollected Acorn: Poems 1950 – 1986, 1987,
poem from I Shout Love and Other Poems, 1987,
poems from Hundred Proof Earth, 1988,
poems from To Hear the Faint Bells, 1996,
poems from After the Eclipse, 2004,
Bio note on Milton Acorn,
Books by Milton Acorn,
THE MINER'S WIFE
The pit's above and down below the town,
And every day the man I love goes down.
It's not the pleasantest place to spend the day
But he must go down to earn his pay.
The pit's as black as night ... as black as death.
It keeps on breathing out its coaley breath.
Tho I eternally wash it's always there
Until I'd give my soul for good clean air.
But half my Johnny's life's down in that dirt,
Where every step you go some man's been hurt.
It's sure I am he'll be carried out some day,
But he must go down to earn his pay.
The coal's been there a hundred million years,
Like sunshine hidden in a sepulcher.
It's strange my Johnny works to bring it up
Then comes out blacker than the devil's pup.
The man I love is sunshine all himself;
He makes this land but doesn't own its wealth.
He's a working man ... and what's there more to say?
So he must go down to earn his pay.
REMEMBERING
I saw the myriad glittering points of dew in spiders' mesh;
and I thought of the trail of your fingers on my flesh.
THIS IS THE HEART
This is the heart that since the dawn of time
has missed no beat, that struggled out of slime.
There is no hypocrite, there is no knife
can steal and own the promise of its life.
These are the hands that make the world go round
and make the very chains with which they're bound;
but they shall raise, for all eternity,
the cool and shining cities of the free.
This is the brain that sees the planets rise
in these and in pale planetary skies.
Who can imagine it will bear the grey
mad nonsense that is preached for truth today?
This is the tongue reveals man to his mate;
whose truth has always won the last debate:
and it must sing the truth, or else it dies.
Truth is its life ... the only death is lies.
TO MY LITTLE SISTER ABOUT HER ILLNESS
My little sister, you were the youngest.
Till you were ten we used to call you "Baby",
but then our mother put a stop to it
for fear they'd name you "Babe".
Yet you were always determined
to sip life's sweetest, most ephemeral juices ...
to sip them lightly, and with no abandon:
so until now you've lived
like a silver water-bug
skating over the sun-blue lake of your youth.
Know then, my little sister:
that where black seas crash against riven rock
their roaring drowns out neither life nor thought;
that in the stronghold of endurance
the coins of life are counted one by one;
and sometimes in the pauses of the storm,
when the sun strikes many-coloured on the battlements
of new clouds rolling westward on their thunders
a glory can strike you
greater than a lightning bolt.
ANNIE'S SON
Weeks after her abortion,
Clutches of bone
(A thin nearly straight one,
A rib cage, a spine)
Came into the world-light.
Last was the skull and
Pelvis ... which she wore
For a charm.
THE CASE OF IVAN SONOVICH
Let us now discuss that octopus
Whose tentacles enter every bedroom,
In tones of high moral seriousness;
For profound indeed is the subject
Of that conniving undermining Russian
Called Ivan Sonovich.
I say called, but was he actually
Christened Ivan Sonovich? Only
A few hint his existence, and
Never blatantly utter his name.
Yet behind each of our disasters
Look for Ivan Sonovich.
All over the world, when natives
Stop speaking pidgin, peasants
Cease to be picturesque, scientists
Meddle in low things like politics,
Can be detected the crafty hand
Of Ivan Sonovich.
And in our land, though workers
Cackle at his mention, still
Unions leave legitimate business
To meddle in high things like politics.
When such unwisdom is committed
Beware, I say, of the never resting
Ivan Sonovich.
He is no ordinary mortal, never feels
The press of doubt and circumstance.
The sweating reviews between bedsheets,
The considerations of opinion,
Are foreign to the nature of
The cold Ivan Sonovich.
His schemers and noticers, like
The little bird who always tells mother,
Are there at all times and all places.
Why you who question me
Might be his sly agent, might
Yourself in cunning disguise
Be Ivan Sonovich.
CYNICISM
Notice the bums are little guys?
Caps cocked sidewise,
Too big,
Faces brown-grey and wrinkled like a fig.
Funny ... and little guys.
Ever stand in a shape-up?
An ape of a pusher puts his finger up,
"Com'ere Joe."
And "Joe" is usually big;
Little men linger against the wall, then go.
Even to look at one's a feast
For your sense of virtue.
"Why not work," you say, "'twon't hurt you."
They get less sympathy than wingless flies.
Funny ... all little guys.
HUMMINGBIRD
One day in a lifetime
I saw one with wings
a pipesmoke blur
shaped like half a kiss
and its raspberry-stone
heart winked fast in
a thumbnail of a breast.
In that blink it
was around a briar
and out of sight, but
I caught a flash
of its brain
where flowers swing
udders of sweet cider;
and we pass
like thunderclouds,
a danger ignored
because it's too strong.
"I WILL ARISE AND GO NOW"
Let's borrow a tent and live on the North Shore
Where the wind beats bluff from Labrador
And summer flutters by at half mast,
Cut the umbilical cord of the past
While our out-of-work benefits last.
The hungry? Let's not appease them.
If they had the power
They'd only make you paint to please them
And me punctuate my poetry.
Let's not mean, but be.
Let's sign a ban-the-bomb petition
To show we're intelligent
Then let politics go to perdition,
While you tell me and I'll tell you
How sweet we are.
I will read you Henry Miller
And you'll wear your diaphragm.
Selling out the future
And owning no geiger counter,
Let's take it on the lam.
IRON MARRIAGE
Iron to iron the molecules hold, determined to be dead;
so take this flesh and lead it to an iron bed
and with a graven claw
draw on it the patterns of an iron law.
To join, live all the moment, then let go;
the flesh's way and meaning: to let grow
has been the rule of love. Now it must be
crusht and recast to iron eternity.
But oh the flesh is no immortal thing,
nor the vibrations of a song, and still they sing:
yet let this priest
whom public voices back unanimously
perform the deed, so we
and this gallimatiastic little accident
laughing at the joke he's played
may be acceptable
in all dull company.
LETTER TO MY REDHEADED SON
Young maple leaves, copper with a delicate flush,
are taut and hardly bent by the limb-twist breeze,
and I'm penetrated by the delight that made you
and makes fool poets call the spring green.
A poet against a league of liars, I know
you'll learn love and honesty from her
who wouldn't learn scorn and left me.
You'll learn, boy, to be as bitter as me
against the men with counterfeit eyes,
their graft and their words: "nigger";
"people not like us" ... and "bastard".
Fool poets call the spring green, but I
a poet, know I can't give you to yourself
— only what I know of myself: that
nothing I've done, no poem, stand,
thought or act of love, hasn't called for
another, stronger deed, or I've lost it.
PIT ACCIDENT
"I liked him," said the small man
with coal seaming his hard little hands,
"because he never stood in your light."
"It must've been a bad twinge,
in the bone, not the muscle,
that made him shift and lift his head,
riding down to work, and
that beam came too quick to blink at."
"He never stood in your light, poor guy."
He was pale, tough as a root at bedrock,
but tears squeezed out on his ridged face
and even the rain tasted of coaldust.
AT EL CORTIJO
At El Cortijo, with coffee
tilting right and left
in talk weird as alcohol,
a little dark one backed
into my knee, didn't
look round ... just sat on it.
No introduction! She took
my femur for a public perch,
and in that exhilarant
fluctuation of conversation
quivered
like a kitten ready to bounce.
I wrung myself with love
for the finely wound nerve of her,
balanced there,
and the way loose hairs
half twisted
at her palpitating nape.
Disturbed by my rude eye
she twitched round to glare
my grin into a grimace,
then looked back
but didn't budge
her delicate handful of a bum.
BELLE
Younger, Belle was lonely, but now
the men brandish forearms in her kitchen,
shake themselves out with laughter.
The wives, glad they're not at mischief,
respect her jet black mane from a distance.
Edwin with his glasses, his pipe,
and freckled, spare-tipped fingers,
she married at twenty-nine, had to,
(everyone had to, but she
claims that weakness like a certificate)
hums to himself, makes
the best cider in the settlement, hangs
doors that open to one hooked finger,
says four words in a day
and two of them are "No Ma'am!"
There's a contest of daughters
and one son,
born beside a mare munching clover.
She bore it alone, and
herself whacked it into life.
CHARLOTTETOWN HARBOUR
An old docker with gutted cheeks,
time arrested in the used-up-knuckled hands
crossed on his lap, sits
in a spell of the glinting water.
He dreams of times in the cider sunlight
when masts stood up like stubble;
but now a gull cries, lights,
flounces its wings ornately, folds them,
and the waves slop among the weed-grown piles.
THE FIGHTS
What an elusive target
the brain is! Set up
like a coconut on a flexible stem
it has 101 evasions.
A twisted nod slues a punch
a thin gillette's width
past a brain, or
a rude brush-cut to the chin
tucks one brain safe under another.
Two of these targets are
set up to be knocked down
for 25 dollars or a million.
In that TV picture in the parlor
the men, who linked move to move
in a chancy dance,
are abstractions only.
Come to ringside, with two
experts in there! See
each step or blow pivoted,
balanced and sudden as gunfire.
See muscles wriggle, shine
in sweat like windshield rain.
In stinking dancehalls, in
the forums of small towns,
punches are cheaper but
still pieces of death.
For the brain's the target
with its hungers
and code of honour. See
in those stinking little towns,
with long counts, swindling judges,
how fury ends with the last gong.
No matter who's the cheated one
they hug like a girl and man.
It's craft and
the body rhythmic and terrible,
the game of struggle.
We need something of its nature
but not this;
for the brain's the target
and round by round it's whittled
till nothing's left of a man
but a jerky bum, humming
with a gentleness less than human.
Excerpted from In a Springtime Instant by Milton Acorn. Copyright © 2012 Estate of Milton Acorn. Excerpted by permission of Mosaic Press.
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