Daniel Laskarin’s sculptures and public art commissions, on view across Canada and internationally, use a diverse range of media to raise questions about perception. At once very physical and recognizable, the work confounds the viewer by never being exactly identifiable. The artist refers this state of perception as “the agnostic condition of uncertainty between the general and the specific.” This first monograph contains three essays on Laskarin’s most recent series as well as on earlier works that illustrate the evolution of his practice and theoretical concerns.
"synopsis" may belong to another edition of this title.
Seller: BEACON BOOKS, Creston, BC, Canada
Softcover. Condition: Very Good. Dust Jacket Condition: Good. 9 x 10 inches. 94 pages. Full-colour photographs of sculptures using industrial materials. Dust jacket has light wear. Very good condition. Seller Inventory # 505845
Seller: ANARTIST, New York, NY, U.S.A.
Softcover with dustjacket, 94 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra. Seller Inventory # DaLaAr50
Seller: RareNonFiction, IOBA, Ladysmith, BC, Canada
Paperback. Condition: Very Good. Laskarin, Daniel (illustrator). First Edition. 94 pages. Beautiful colour photography throughout. "Laskarin has a stated interest in doubt and uncertainty, which he sees as important qualities in his work. He believes viewers become creatively engaged when they can't easily identify objects. Often, elements of his work that contain scarcely enough information to be recognizable are juxtaposed with other references to destabilize easy decoding." - Foreword. Clean, bright and unmarked with very light wear. A high-quality copy. Seller Inventory # 546h3188